Scientists discovers that there are six children who each have an enormous intelligence. The children are flown to London to be studied, but they each escape their embassy and gather in a ... See full summary »
Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
The piano piece that Rhoda plays and sings and is heard as a theme throughout the film is the traditional French children's song "Au Clair de la Lune". See more »
When Leroy is telling Rhoda that blood can't be washed off of a stick, in the shot taken facing Rhoda she is leaning on the table with both hands, but as soon it switches to a shot from her right side, she's standing upright with her arms bent. See more »
You ask me and I say you don't even feel sorry for what happened to that little boy.
Why should I feel sorry? It was Claude Daigle who got drowned, not me!
See more »
"You have just seen a motion picture whose theme dares to be startlingly different. May we ask that you do not divulge the unusual climax of the story. Thank you." See more »
as the mother of the drowned boy.... a performance that must rank with the best of the 1950s. Heckart repeated her stage role in the 1956 film with Nancy Kelly and Patty McCormack as the mother and daughter. Henry Jones (also in the stage production and excellent), Evelyn Varden, Gage Clarke, Paul Fix, Joan Croyden and Jesse White are good in support. Jones and Varden are especially good. William Hopper is and always was BLAH. But Eileen Heckart is superb as the drunken, crushed woman who knows there is something more to her son's death than she is being told. Her two scenes are riveting as she lurches across the room, begging for information, yet totally in control of the situation. Kelly, McCormack, Jones, and Varden are also good (if stagy) in their roles. Kelly seems hopelessly hammy but grows on you even though she seems to be imitating Gloria Swanson in Sunset Boulevard most of the time. Great film, literate, interesting, riveting..... a must!
18 of 25 people found this review helpful.
Was this review helpful to you?