Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
Eileen Heckart's two appearances in the movie come exactly one hour apart, at 00:36 and 01:36 in the film. Both appearances last exactly five minutes. See more »
When Christine is reading the book to Rhoda and the shot is behind Rhoda, the covers are down around her waist and she is lying on her side. When the shot is in front or Rhoda, the covers are tucked up under her chin and she is lying more on her back. In the next shot, behind her again, the covers are again around her waist and she's on her side. See more »
They got what they call stick bloodhounds to help them look. And them stick bloodhounds can find any stick there is that's got blood on it.
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"You have just seen a motion picture whose theme dares to be startlingly different. May we ask that you do not divulge the unusual climax of the story. Thank you." See more »
Assured portrayals of real characters in an amazingly chilling film!
What we have here is a fantastic classic horror film, which benefits from great performances from all concerned and a plot not typical of serial killer films. The film doesn't adhere to convention and builds its story around an idea that was frightening for the time - and still is to this day. The murderer in this film is as evil as any other; the only difference being that here the killings are committed by a decidedly amoral child. The film presents a good portrait of its star, as it presents its ideas very much from a child's point of view. The young girl doesn't see what she's doing as wrong as she is always given a reason to pass on the blame for wrongdoings, and this always comes across in a plausible way. The plot surrounding the atrocities is even more interesting than the central idea, as we follow the torment inflicted on the girl's mother. The situation that Christine Penmark finds herself in is the stuff of nightmares; just what can you do if you find that your eight year old child has committed murder? The Bad Seed makes excellent use of this dilemma, and the fact that it's incredibly easy to buy into the plot ensures that The Bad Seed prevails as an potently chilling film.
The film is based on a stage play by Maxwell Anderson, and this comes across often as the film takes place in just a few settings and the whole thing is very stagy. This is, however, to its benefit; as the locations make the whole piece more claustrophobic, and the fact that we don't see the murders themselves benefits the film immensely as it allows the audience to spend more time considering the implications; which are what the film is actually about. The main reason why this film works so well is down to a great performance by talented child actor Patricia McCormack. McCormack presents a portrayal that finds exactly the right pitch between the sweet and innocent youngster that she appears; and the dark persona that lies just beneath her exterior. Nancy Kelly similarly gives a defining performance as her tortured mother, and excellently puts across a torrent of emotion. The acting is typically melodramatic, but all the cast somehow manage to keep their acting down to earth. Every scene in the movie is perfectly pitched and nothing is wasted as we are continually taught more about the characters and their situations. The climax to the film is fabulously poetic, despite being implemented on the producer's orders and overall, I really don't see much wrong with this film. Highly recommended!
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