A couple take a vacation to a remote island - their last holiday together before they become parents. Soon after their arrival, they notice that no adults seem to be present - an observation that quickly presents a nightmarish reality.
Daniel Giménez Cacho
Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
Warner Brothers production notes for the film reported that three endings were shot. According to a November 1955 article in the Los Angeles Times, the end of the film was kept secret and the last five pages of the script were not distributed until ready to shoot. See more »
When Rhoada and Leroy are talking outside, she is working on a puzzle. When Rhoada is facing Leroy the pieces to the puzzle are on the table, when Leroy is facing Rhoda, the pieces are not there. When it goes back to Rhoada, the pieces are again outside the puzzle. See more »
Claude was dead. He wouldn't know if he had the medal pinned on him or not.
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After the finale, a narrator tells the audience "One moment please. And now our wonderful cast." Then, the principal cast members are introduced one by one, like they would be at the end of a play. After that's done with, there's a brief scene in which Nancy Kelly spanks Patty McCormack. See more »
as the mother of the drowned boy.... a performance that must rank with the best of the 1950s. Heckart repeated her stage role in the 1956 film with Nancy Kelly and Patty McCormack as the mother and daughter. Henry Jones (also in the stage production and excellent), Evelyn Varden, Gage Clarke, Paul Fix, Joan Croyden and Jesse White are good in support. Jones and Varden are especially good. William Hopper is and always was BLAH. But Eileen Heckart is superb as the drunken, crushed woman who knows there is something more to her son's death than she is being told. Her two scenes are riveting as she lurches across the room, begging for information, yet totally in control of the situation. Kelly, McCormack, Jones, and Varden are also good (if stagy) in their roles. Kelly seems hopelessly hammy but grows on you even though she seems to be imitating Gloria Swanson in Sunset Boulevard most of the time. Great film, literate, interesting, riveting..... a must!
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