The wife of a wealthy industrialist finds herself caught-up in a web of intrigue & murder which was created by her own deceit. When she tries to escape the results of her actions, she too ... See full summary »
An unofficial "sequel" to "The Bad Seed", Patty McCormack's "Mommy" is psychotically obsessed with her 12-year-old daughter Jessica Ann -- so much so that when she finds out Jessica didn't ... See full summary »
Max Allan Collins
Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
Dr. John Holden ventures to London to attend a paranormal psychology symposium with the intention to expose devil cult leader, Julian Karswell. Holden is a skeptic and does not believe in ... See full summary »
Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
The piano piece that Rhoda plays and sings and is heard as a theme throughout the film is the traditional French children's song "Au Clair de la Lune". See more »
When Christine Penmark and Monica Breedlove fetch the locket, Christine hands it to Monica. When Monica leaves the bedroom a crewman's hand holding a cloth is seen at the bottom left of the bedroom door. See more »
I like apricot juice, it doesn't even need ice.
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After the finale, a narrator tells the audience "One moment please. And now our wonderful cast." Then, the principal cast members are introduced one by one, like they would be at the end of a play. After that's done with, there's a brief scene in which Nancy Kelly spanks Patty McCormack. See more »
Minor 1950's classic that holds up well fifty year later. The film does have its flaws. Occasionally it has the feel of a staged play--at times it seems Mrs. Penmark has to answer the door every five minutes so as to get the other major characters on screen. The Freudian psychobabble and the altered ending add an unnecessary half hour or so to the running time. And the acting can be very overwrought (although the scene in which Mrs. Penmark is screaming in the apartment as Leroy screams outside--both counterpointed by Rhoda's untalented but very loud rendition of "Au Clair de la Lune"--is a moment of high camp horror on par with anything in "Whatever Happened to Baby Jane?") Still the movie works, largely because of Rhoda, the eerily self controlled little murderess who despite her sweet smiles always looks at though her hair is braided a bit too tight. It helps that an actress was cast who was cute enough, but not too pretty--Patty McCormack looks like a miniature gargoyle when she drops the sunny mask and starts roaring. Leroy, the leering simple minded caretaker is almost as unsettling--the scenes in which he sadistically taunts Rhoda almost amount to a very twisted flirtation, as he is clearly more delighted than appalled by her capacity for evil (at least until he learns just how far this capacity goes).
I haven't seen the 1980's remake, but I can't see how it could top the original, if only because evil little girls in jeans and T-shirts just aren't as scary as evil little girls with hair bows and starched frocks.
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