Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
Henry Jones (LeRoy) also plays the radio announcer who reports the Fern School tragedy. See more »
When Christine Penmark and Monica Breedlove fetch the locket, Christine hands it to Monica. When Monica leaves the bedroom a crewman's hand holding a cloth is seen at the bottom left of the bedroom door. See more »
Why can't you wash off blood?
Because you can't. And the police know it. You can wash it and you can wash it. There's always some left. Everybody knows that.
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After the finale, a narrator tells the audience "One moment please. And now our wonderful cast." Then, the principal cast members are introduced one by one, like they would be at the end of a play. After that's done with, there's a brief scene in which Nancy Kelly spanks Patty McCormack. See more »
My daughter, Rachel, always found this the most frightening movie she ever saw, and from a psychological perspective, it's easy to see why. Patty McCormack is magnificent as charming but evil first-grader Rhoda Penmark. Nancy Kelly is terrific in some scenes, but almost comically overwrought in others, as Rhoda's gradually terrified mother. Paul Fix deserves special mention in a strong performance as Kelly's father. And, Eileen Heckart is also a standout as the grief-stricken mother of a boy that we suspect Rhoda of killing. But, my personal favorite character is LeRoy, incredibly portrayed by Henry Jones. This is a characters I have never forgotten from the moment I first saw this one in the late 50's.
"That Rhoda is smart, almost as smart as me", he repeats for the camera several times in obsessive fashion. The ending which differed from the play has disturbed a lot of purists, but I think it has a lot of merit. Altogether, I give it 8 out of 10, very memorable and extremely well done.
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