Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
An unofficial "sequel" to "The Bad Seed", Patty McCormack's "Mommy" is psychotically obsessed with her 12-year-old daughter Jessica Ann -- so much so that when she finds out Jessica didn't ... See full summary »
Max Allan Collins
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
Christine Penmark seems to have it all: a lovely home, a loving husband and the most "perfect" daughter in the world. But since childhood, Christine has suffered from the most terrible recurring nightmare. And her "perfect" daughter's accomplishments include lying, theft and possibly much, much worse. Only Christine knows the truth about her daughter and only Christine's father knows the truth about her nightmare. Written by
Shortly before Richard Bravo enters, Mrs. Penmark fixes Mr. Tasker a gin and tonic. Tasker takes the drink with his right hand, but when the shot changes slightly, he's suddenly holding the drink with his left hand and leaning on the cart with his right. See more »
You hit him with the shoes, didn't you? You hit him with the shoes, that's how he got those half moon marks on his forehead and on his hands. Answer me, Rhoda. ANSWER ME!
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"You have just seen a motion picture whose theme dares to be startlingly different. May we ask that you do not divulge the unusual climax of the story. Thank you." See more »
as the mother of the drowned boy.... a performance that must rank with the best of the 1950s. Heckart repeated her stage role in the 1956 film with Nancy Kelly and Patty McCormack as the mother and daughter. Henry Jones (also in the stage production and excellent), Evelyn Varden, Gage Clarke, Paul Fix, Joan Croyden and Jesse White are good in support. Jones and Varden are especially good. William Hopper is and always was BLAH. But Eileen Heckart is superb as the drunken, crushed woman who knows there is something more to her son's death than she is being told. Her two scenes are riveting as she lurches across the room, begging for information, yet totally in control of the situation. Kelly, McCormack, Jones, and Varden are also good (if stagy) in their roles. Kelly seems hopelessly hammy but grows on you even though she seems to be imitating Gloria Swanson in Sunset Boulevard most of the time. Great film, literate, interesting, riveting..... a must!
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