Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
Set in the 1920s Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As Burt successfully woos her and wins her hand in marriage, rumors begin to surface that Millicent's newfound beau is in fact a deranged maniac. Things grow even more complicated for Millicent when a woman claiming to be Hansen's first wife shows up. As Burt begins to lose control of himself, Millicent ponders the most radical of actions against her husband. Written by
The original screenwriters, the husband and wife team of Jean Rouverol and Hugo Butler, did not receive screen credit as they were blacklisted at the time of production. Jack Jevne received credit instead. See more »
Aw, Milly. You wouldn't want me to spend the rest of my life with a bubble-gum addict. Would you, Milly?
Sorry, I goofed!
You "goofed?" Hey, man, that's "Bop" talk! Where did you ever pick that up?
Well, why shouldn't I pick up an expression here and there? I'm not THAT old!
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Opening credits are shown over a background of...... leaves. See more »
Once director Robert Aldrich got around to shaping her latter-day career, Joan Crawford did some very good films, this being one of them. Absorbing nonsense is gusty and often ridiculous...still, I wouldn't have it any other way. Crawford is quite strong here playing a single woman making her living as a stay-at-home typist; she marries much-younger Cliff Robertson, a pathological liar, and quickly discovers the many secrets he has in his murky past. Florid melodrama is filled with fruity dialogue and overheated set-ups (like the infamous thrown typewriter), fluttering hands and fluttering eyelashes. A trashy delight, and sure to please soap buffs. *** from ****
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