Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Congresswoman Agatha Reed returns to her alma mater for homecoming, although she's more interested in renewing her romance with an old flame who's now the college president. Their attempts ... See full summary »
Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
Margaret Drew runs her trucking company single-mindedly, if not ruthlessly. The only thorn in her side is writer Michael Holmes who is writing a book on some of her tough ways. With no time... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As Burt successfully woos her and wins her hand in marriage, rumors begin to surface that Millicent's newfound beau is in fact a deranged maniac. Things grow even more complicated for Millicent when a woman claiming to be Hansen's first wife shows up. As Burt begins to lose control of himself, Millicent ponders the most radical of actions against her husband. Written by
In an interview for a much later documentary on Joan Crawford, Cliff Robertson recounts his first meeting with her, at her home. Already somewhat intimidated by working with the legendary Crawford, he is let in, then hears her call from poolside, where she's sunning, "Come on out, dear boy. We've been waiting for you." Robertson has nothing but admiration for Crawford's talent and incredible technical disciple. At one point, director Bob Aldrich wanted Crawford to cry, but only slightly. A tear or two. "Which eye?" Robertson recalls Crawford asking. Then repeats the anecdote, amazed, "'Which EYE?'" See more »
[after meeting Milly's landlady, Liz, who is sporting a garishly "loud" Hawaiian-type, floral shirt]
Who's the character?
Liz Eckhardt. She's the manager.
Is she always dressed for Halloween? In the middle of the summer?
That happens to be one of her most conservative outfits!
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Opening credits are shown over a background of...... leaves. See more »
Joan Crawford gives a real tour-de-force as Milly, a work-obsessed, but lonely spinster who meets a handsome man, Burt (played wonderfully by Cliff Robertson), in a diner late one night. Their meeting turns into romance, and before Milly knows it, they are married in quickie Mexican nuptuals. When they return home, secrets from Burt's past began to come into the open. Before long, Burt turns into an abusive, dillusional schizophrenic. Crawford's performance is amazing (once you get past the shoulder pads and butch haircut) and Vera Miles' role as Burt's devious ex-wife is classic. Don't miss a vicious cat fight between Crawford, Miles, and Lorne Greene, in which Crawford spews at Miles, "And you, ya slut!" Director Robert Aldrich did a tremendous job of taking this melodrama, but never letting it turn into a total soap opera. Great show!
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