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Autumn Leaves (1956)

 -  Drama  -  1 August 1956 (USA)
6.7
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Ratings: 6.7/10 from 1,188 users  
Reviews: 41 user | 12 critic

Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »

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Title: Autumn Leaves (1956)

Autumn Leaves (1956) on IMDb 6.7/10

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Cast

Cast overview:
...
Millicent Wetherby
...
Burt Hanson
...
Virginia Hanson
...
Mr. Hanson
Ruth Donnelly ...
Liz Eckhart
Shepperd Strudwick ...
Dr. Malcolm Couzzens
Selmer Jackson ...
Mr. Wetherby
Maxine Cooper ...
Nurse Evans
Marjorie Bennett ...
Waitress
Frank Gerstle ...
Mr. Ramsey
Leonard Mudie ...
Colonel Hillyer
Maurice Manson ...
Dr. Masterson
Bob Hopkins ...
Desk Clerk
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Storyline

Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As Burt successfully woos her and wins her hand in marriage, rumors begin to surface that Millicent's newfound beau is in fact a deranged maniac. Things grow even more complicated for Millicent when a woman claiming to be Hansen's first wife shows up. As Burt begins to lose control of himself, Millicent ponders the most radical of actions against her husband. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

In the dark, when I feel his heart pounding against mine - is it love? or frenzy? or terror?

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 August 1956 (USA)  »

Also Known As:

The Way We Are  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The original screenwriters, the husband and wife team of Jean Rouverol and Hugo Butler, did not receive screen credit as they were blacklisted at the time of production. Jack Jevne received credit instead. See more »

Quotes

Burt: Aw, Milly. You wouldn't want me to spend the rest of my life with a bubble-gum addict. Would you, Milly?
Milly: Sorry, I goofed!
Burt: You "goofed?" Hey, man, that's "Bop" talk! Where did you ever pick that up?
Milly: Well, why shouldn't I pick up an expression here and there? I'm not THAT old!
See more »

Crazy Credits

Opening credits are shown over a background of...... leaves. See more »

Connections

Referenced in Outrageous! (1977) See more »

Soundtracks

Autumn Leaves
Music by Joseph Kosma
Original lyrics by Jacques Prévert ("Les Feuilles Mortes")
English lyrics by Johnny Mercer
Sung by Nat 'King' Cole
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Crawford at her best and Aldrich close to his
18 August 2007 | by (NY, NY) – See all my reviews

Even 50 years after it was released, this movie is shocking. The betrayal is appalling. The incest is not romanticized or played for any sort of laughs. The physical violence is both subtle and horrifying: We don't quite see what Cliff Robertson does to typist Joan Crawford but we get the idea very clearly. And it is shocking almost beyond words.

Crawford does a fine job. She may have been better in a couple other movies -- her signature, "Mildred Pierce"; "Sudden Fear." But as entertaining as "Mildred Pierce" is and as beautifully made as "Sudden Fear" is, I'd choose this as the best movie in which she appears (if possibly not her single best performance.) Cliff Robertson is perfectly cast as the handsome young man who woos her. He IS handsome. But this character is troubled, and Robertson plays that brilliantly. This is the movie for which he should have won as Oscar.

Lorne Greene is a sneering villain. He's even farther from "Bonanza" here than Raymond Burr was from "Perry Mason" in the many film noir outings that predated that series.

Vera Miles turns in a fine, evil performance too. She did well for Hitchcock but I think this is the best I've ever seen her.

Ruth Donnelly is Crawford's landlady and pal. She is cast against the type she played in her standard movie. And she's very good. I'm not entirely sure the slightly light touch she gives the character is right in this context. But Aldrich knew what he was doing; so it must be.

I saw "Whatever Happened to Baby Jane" when it first came out. I was a child and had never seen Bette Davis or Joan Crawford before. I was totally confused by the whole thing. In later years, I've seen it again and it's fun.

But though it shares one star with Autumn Leaves," "Autumn Leaves" is closer to Aldrich's greatest picture in style: "Kiss Me Deadly." "Autumn Leaves" seems like a high toned soap opera on the surface. It's about an older woman who allows herself to fall in love. Etc. But that's not what the movie is. It's dark and it's deep.

I can't quite figure out whether it could have been better with a less turgid actress. In a way, some of its themes presage those of "Room at the Top." Signoret could have blown us away in "Autumn Leaves." So could Jeanne Moreau. But would the movie have been as believable? Maybe not. It may be just about perfect as it is.


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