6.7/10
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Autumn Leaves (1956)

Approved | | Drama | 1 August 1956 (USA)
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »

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Cast

Cast overview:
...
Millicent Wetherby
...
Burt Hanson
...
Virginia Hanson
...
Mr. Hanson
...
Liz Eckhart
Shepperd Strudwick ...
Dr. Malcolm Couzzens
...
Mr. Wetherby
Maxine Cooper ...
Nurse Evans
...
Waitress
Frank Gerstle ...
Mr. Ramsey
Leonard Mudie ...
Colonel Hillyer
Maurice Manson ...
Dr. Masterson
Bob Hopkins ...
Desk Clerk
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Storyline

Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As Burt successfully woos her and wins her hand in marriage, rumors begin to surface that Millicent's newfound beau is in fact a deranged maniac. Things grow even more complicated for Millicent when a woman claiming to be Hansen's first wife shows up. As Burt begins to lose control of himself, Millicent ponders the most radical of actions against her husband. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

In the dark, when I feel his heart pounding against mine - is it love? or frenzy? or terror? See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 August 1956 (USA)  »

Also Known As:

The Way We Are  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In an interview for a much later documentary on Joan Crawford, Cliff Robertson recounts his first meeting with her, at her home. Already somewhat intimidated by working with the legendary Crawford, he is let in, then hears her call from poolside, where she's sunning, "Come on out, dear boy. We've been waiting for you." Robertson has nothing but admiration for Crawford's talent and incredible technical disciple. At one point, director Bob Aldrich wanted Crawford to cry, but only slightly. A tear or two. "Which eye?" Robertson recalls Crawford asking. Then repeats the anecdote, amazed, "'Which EYE?'" See more »

Quotes

Virginia: Sure, he should be committed!
Milly: Of course, you'd want me to commit him, get him out of your life, put him away permanently someplace where he can never again remind either one of you of your horrible guilt; how you and you had committed the ugliest of all possible sins, so ugly that it drove him into the state he's in now!
Mr. Hanson: What kind of a woman are you to be satisfied with only half a man? There must be so...
Milly: Even when he doesn't know what he's doing, he's a saner man than you are! He's decent and...
[...]
See more »

Crazy Credits

Opening credits are shown over a background of...... leaves. See more »

Connections

Referenced in Outrageous! (1977) See more »

Soundtracks

Autumn Leaves
(Les Feuilles Mortes)
Music by Joseph Kosma
French lyrics by Jacques Prévert
English lyrics by Johnny Mercer
Performed by Nat 'King' Cole
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Crawford at her best and Aldrich close to his
18 August 2007 | by (NY, NY) – See all my reviews

Even 50 years after it was released, this movie is shocking. The betrayal is appalling. The incest is not romanticized or played for any sort of laughs. The physical violence is both subtle and horrifying: We don't quite see what Cliff Robertson does to typist Joan Crawford but we get the idea very clearly. And it is shocking almost beyond words.

Crawford does a fine job. She may have been better in a couple other movies -- her signature, "Mildred Pierce"; "Sudden Fear." But as entertaining as "Mildred Pierce" is and as beautifully made as "Sudden Fear" is, I'd choose this as the best movie in which she appears (if possibly not her single best performance.) Cliff Robertson is perfectly cast as the handsome young man who woos her. He IS handsome. But this character is troubled, and Robertson plays that brilliantly. This is the movie for which he should have won as Oscar.

Lorne Greene is a sneering villain. He's even farther from "Bonanza" here than Raymond Burr was from "Perry Mason" in the many film noir outings that predated that series.

Vera Miles turns in a fine, evil performance too. She did well for Hitchcock but I think this is the best I've ever seen her.

Ruth Donnelly is Crawford's landlady and pal. She is cast against the type she played in her standard movie. And she's very good. I'm not entirely sure the slightly light touch she gives the character is right in this context. But Aldrich knew what he was doing; so it must be.

I saw "Whatever Happened to Baby Jane" when it first came out. I was a child and had never seen Bette Davis or Joan Crawford before. I was totally confused by the whole thing. In later years, I've seen it again and it's fun.

But though it shares one star with Autumn Leaves," "Autumn Leaves" is closer to Aldrich's greatest picture in style: "Kiss Me Deadly." "Autumn Leaves" seems like a high toned soap opera on the surface. It's about an older woman who allows herself to fall in love. Etc. But that's not what the movie is. It's dark and it's deep.

I can't quite figure out whether it could have been better with a less turgid actress. In a way, some of its themes presage those of "Room at the Top." Signoret could have blown us away in "Autumn Leaves." So could Jeanne Moreau. But would the movie have been as believable? Maybe not. It may be just about perfect as it is.


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