Set in the 1920s Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 ... See full summary »
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this ... See full summary »
At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
It is during the great depression in the US, and the land is full of people who are now homeless. Those people, commonly called "hobos", are truly hated by Shack (Borgnine), a sadistical ... See full summary »
During the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area. Lieutenant Costa knows that Cooney is in command only because of 'connections' he had made state-side. Costa has serious doubts concerning Cooneys' ability to lead the group. When Cooney sends Costa and his men out, and refuses to re-enforce them, Costa swears revenge. Written by
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Combat and battle sequences were filmed on the back-lot of two studios: The RKO-Pathé Studios back-lot and the Universal Studios back-lot. They were also shot on the Albertson Ranch in Agoura, California. See more »
Buddy Ebsen is listed as "Sfc. Tolliver - Fox Co. " Sfc. as in Sergeant First Class. This rank was not established until 1948 changing the rank of 2nd Grade Technical Sergeant to Sergeant First Class. See more »
Listen to me, Cooney! If you put me and my men in a wringer - -if you send us out there and let us hang - -I swear, I swear by all that's holy, I'll come back. I'll come back and take this grenade and shove it down your throat and pull the pin!
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Long on several "lost film" lists, "Attack" is at last available on video. There are several reasons to see this film. It is a forerunner of so many grim, realistic movies that treat the subject with intelligence ("Men In War", "Pork Chop Hill", "Platoon", "The Thin Red Line"). It is brilliantly directed (many scenes are almost unbearable in their naked dramatic truth). And it contains several performances that demand attention.
The conviction of Eddie Albert's playing of the cowardly Lieutenant may come as a surprise to those unaware of his talents. Lee Marvin also delivers a solid characterization, as do most of the other supporting players. But the main feature of this film is the astonishing portrayal of Lt. Costa by Jack Palance. The kind of immersion in a role that Palance exhibits here is rare. It is the kind of performance that seems more like "being" than acting. A number of close-ups of Palance's face deliver a frisson of emotional intensity and truth that are rare and wonderful in the cinema of any period. In fact, Palance helps to demonstrate, in this picture, why "war films" should exist as a genre. The condition of war, of combat in particular, serves to foreground, polarize and intensify emotions and moral convictions. It can call into question the very nature of humanity. Just what is the price of a human life? What do we as humans mean to one another? When do concepts like 'bravery' and 'cowardice' cease to have meaning?
"Attack" is a small film, great in its impact.
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