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During the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area. Lieutenant Costa knows that Cooney is in command only because of 'connections' he had made state-side. Costa has serious doubts concerning Cooneys' ability to lead the group. When Cooney sends Costa and his men out, and refuses to re-enforce them, Costa swears revenge. Written by
Buxx Banner <firstname.lastname@example.org>
Records in the Department of Defense Film Collection at Georgetown University Library suggest that both the US Department of Defense and the US Army refused to assist with the production of this movie based on its film script. Just before production filming began on 16 January 1956, a 13 January 1956 letter from the Office of the Chief of Information of the Department of the US Army said that this film's movie script "is a very distasteful story and derogatory of Army leadership during combat including weak leadership, cowardice, and finally, the murder of the Company Commander." Moreover, a 26 January 1956 Department of Defense memo reiterated this, concurring with the "Army appraisal." The upshot of this was that the production were forced to buy or hire army and military equipment and weapons and could not loan or borrow them from those Defense arms. See more »
Throughout the picture, German infantrymen use what seems to be some variation of the water-cooled Browning 30-caliber machine gun, which was a U.S. weapon. Also, the German tanks don't resemble any Panzers in use during World War II. See more »
Listen to me, Cooney! If you put me and my men in a wringer - -if you send us out there and let us hang - -I swear, I swear by all that's holy, I'll come back. I'll come back and take this grenade and shove it down your throat and pull the pin!
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One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
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