During the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area. Lieutenant Costa knows that Cooney is ... See full summary »
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J. Carrol Naish
Grim story of one of the major battles of the Korean War. While negotiators are at work in Panmunjom trying to bring the conflict to a negotiated end, Lt. Joe Clemons is ordered to launch ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
It's May 1943 at a US Air Force base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, ... See full summary »
During the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area. Lieutenant Costa knows that Cooney is in command only because of 'connections' he had made state-side. Costa has serious doubts concerning Cooneys' ability to lead the group. When Cooney sends Costa and his men out, and refuses to re-enforce them, Costa swears revenge. Written by
Buxx Banner <firstname.lastname@example.org>
When the wooden beam falls on Bernstein, breaking his leg, he twitches and the beam moves up, making it obvious that it's a prop weighing hardly anything. See more »
Listen to me, Cooney! If you put me and my men in a wringer - -if you send us out there and let us hang - -I swear, I swear by all that's holy, I'll come back. I'll come back and take this grenade and shove it down your throat and pull the pin!
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One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
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