6.8/10
19,145
113 user 29 critic

Around the World in Eighty Days (1956)

A Victorian Englishman bets that with the new steamships and railways he can circumnavigate the globe in eighty days.

Directors:

, (uncredited)

Writers:

(screenplay), (screenplay) | 2 more credits »
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Won 5 Oscars. Another 8 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Monsieur Gasse - Thomas Cook Paris Clerk
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Fort Kearney Station Master
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Girl in Paris Railroad Station
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Col. Stamp Proctor - San Francisco Politico
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Steamship Company Hong Kong Clerk
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Great Indian Peninsular Railway Official
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Mr. Talley - Steward R.M.S 'Mongolia'
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Roland Hesketh-Baggott - London Employment Agency Manager (as Noel Coward)
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Andrew Stuart
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Bombay Police Inspector
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First Mate of the 'S. S. Henrietta'
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Storyline

When this movie is made in 1956, one can circumnavigate the globe in a little less than two days. When Jules Verne wrote the story "Around the World in Eighty Days" in 1872, he predicted that one day man could accomplish the task in eighty hours, but which most considered folly to do in eighty days in current times... that is except for people like Englishman Phileas Fogg, a regimented man who believed all it would take is exacting work, the skills he possesses. He just has to make sure a train's schedule meets the required sailing schedule which meets the required coach schedule and so on. As such, he takes up what ends up being the highly publicized £20,000 wager from his fellow members at the London Reform Club to do so, losing the bet which would ruin him financially. Along for the ride is Fogg's new, loyal and devoted valet, the recently arrived Latin immigrant, Passepartout, who possesses unusual skills which could be major assets, but whose all consuming thoughts on the ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

...and the whole world loves it! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

17 October 1956 (USA)  »

Also Known As:

Around the World in 80 Days  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$42,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(35 mm) | (with overture and exit music) | (video) | (TCM print)

Sound Mix:

(Mag-optical) (35 mm prints) (1956)| (optical) (35 mm prints) (re-release prints)| (70 mm prints) (Westrex Recording System)| (Perspecta Sound encoding) (35 mm magnetic prints) (1956)

Color:

(Eastman Color)| (Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Two separate lawsuits were filed against the producer, claiming that the title song had been plagiarized. See more »

Goofs

In an early scene with Passpartout riding his bicycle, someone yells "Get out of the way!" at him, yet neither the cab driver nor the passenger leaning out the window's lips are moving. See more »

Quotes

Saloon Hostess: Never be in a hurry. You'll miss the best parts in life.
Phileas Fogg: Madam, you don't understand. I'm looking for my man.
Saloon Hostess: So am I.
See more »

Crazy Credits

There are no opening credits. The film begins with 'Edward R. Murrow (I)' narrating a prologue showing the history of flight. Then, the actual story begins with no opening credits whatsoever. See more »

Connections

Version of Puss in Boots (1988) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
In the score after the marriage proposal
See more »

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User Reviews

 
Go and see it - in a cinema
13 December 2000 | by (Germany) – See all my reviews

I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.

OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .


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