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Around the World in Eighty Days (1956)

A Victorian Englishman bets that with the new steamships and railways he can do what the title says.


, (uncredited)


(screenplay), (screenplay) | 2 more credits »
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Won 5 Oscars. Another 8 wins & 5 nominations. See more awards »



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Cast overview, first billed only:
Andrew Stuart
Ralph - Bank of England Governor
Ronald Squire ...
Reform Club Member
Basil Sydney ...
Reform Club Member
Roland Hesketh-Baggott - London Employment Agency Manager (as Noel Coward)
Foster - Fogg's Ex-Valet (as Sir John Gielgud)
Denis Fallentin - Reform Club Member
Hinshaw - Reform Club Aged Steward
Girl in Paris Railroad Station
French Coachman
Monsieur Gasse - Thomas Cook Paris Clerk
Tart - Paris
Flamenco Dancer (as Jose Greco and Troupe)


When this movie is made in 1956, one can circumnavigate the globe in a little less than two days. When Jules Verne wrote the story "Around the World in Eighty Days" in 1872, he predicted that one day man could accomplish the task in eighty hours, but which most considered folly to do in eighty days in current times... that is except for people like Englishman Phileas Fogg, a regimented man who believed all it would take is exacting work, the skills he possesses. He just has to make sure a train's schedule meets the required sailing schedule which meets the required coach schedule and so on. As such, he takes up what ends up being the highly publicized £20,000 wager from his fellow members at the London Reform Club to do so, losing the bet which would ruin him financially. Along for the ride is Fogg's new, loyal and devoted valet, the recently arrived Latin immigrant, Passepartout, who possesses unusual skills which could be major assets, but whose all consuming thoughts on the ... Written by Huggo

Plot Summary | Add Synopsis


...and the whole world loves it! See more »


G | See all certifications »

Parents Guide:





| |

Release Date:

17 October 1956 (USA)  »

Also Known As:

Around the World in 80 Days  »

Box Office


$6,000,000 (estimated)


$42,000,000 (USA)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


(35 mm) | (with overture and exit music) | (video) | (TCM print)

Sound Mix:

(Mag-optical) (35 mm prints) (1956)| (optical) (35 mm prints) (re-release prints)| (70 mm prints) (Westrex Recording System)| (Perspecta Sound encoding) (35 mm magnetic prints) (1956)


(Eastman Color)| (Technicolor)

Aspect Ratio:

2.20 : 1
See  »

Did You Know?


For the Spanish-dubbed version of the film, Cantinflas himself provided the voice of his character Passepartout. See more »


In the saloon, when the cigar salesman takes a swing at Fogg, he misses Fogg and Fix, yet Fix reels anyway. See more »


Saloon Hostess: Never be in a hurry. You'll miss the best parts in life.
Phileas Fogg: Madam, you don't understand. I'm looking for my man.
Saloon Hostess: So am I.
See more »

Crazy Credits

There are no opening credits. The film begins with 'Edward R. Murrow (I)' narrating a prologue showing the history of flight. Then, the actual story begins with no opening credits whatsoever. See more »


Version of Le chat botté (1986) See more »


Yankee Doodle
(ca. 1755) (uncredited)
Traditional music of English origin
In the score during the voyage to America
See more »

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User Reviews

I Saw It in Cinerama. It was kind of dull even then.
24 March 2006 | by (United States) – See all my reviews

If you have a chance to read the Jules Verne novel, do so. It's a great story. It is so much more than this glitzy piece of hash. Because Cinerama was such a big deal (the literally put you inside the movie), scenes that were chosen were chosen for their size and excessiveness. Phileas Fogg and Passeportout find themselves in one tough situation after another. The science be damned. It's an Indian tribe or a train or a balloon. Everything is big and colorful. This is fine if there is a really nicely thought out story. Yes, I know he had to get around the world, but each step becomes an excuse for the camera. David Niven is a nice screen presence; he excludes sophistication. Of course, there is a raft of big stars along the way. Some of them work, some just do the cameo thing with very little to do. I'm sure that at the time many were dazzled by this new cinematic technique (which never really caught on). Like the I-max thing, at times it becomes really distracting. Seeing it on the small screen is even more ineffective. The only thing that has this going for it is that it is better than the abomination that features Jackie Chan.

6 of 9 people found this review helpful.  Was this review helpful to you?

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