A teacher arrives to El Romeral, a little town where he must face many cons to teach, many persons who doesn't want that children be educate to continuing exploiting the people under their ambitious plans.
When Phileas Fogg is challenged to prove his contention that a man can go around the world in 80 days, he bets his entire fortune and leaves with a new butler on a world tour. This Victorian adventure has a kicker, the bank of England has been robbed. Is this Fogg's way of avoiding arrest? The detective following him believes so, and his butler is becoming unsure. Written by
John Vogel <email@example.com>
Hop on a sailing railroad across The West! Be attacked by fierce prairie Indians! Rescue a Princess in India! Sail a burning Atlantic paddle-wheeler! Fight bulls in Spain! Romp through Paris! See more »
(Mag-optical) (35 mm prints) (1956)|Mono
(optical) (35 mm prints) (re-release prints)|70 mm 6-Track
(70 mm prints) (Westrex Recording System)|4-Track Stereo
(Perspecta Sound encoding) (35 mm magnetic prints) (1956)
The name of Passepartout the French valet to the Englishman Phileas Fogg in Jules Verne novel "Around The World In 80 Days" is meant as a Skeleton Key which permits one to pass or go at will in French. The name literally translate as 'Goes Everywhere". See more »
When Passepartout is in the San Francisco saloon, he sits at a table. While he is sitting there, a knife is thrown and lands on the table next to his hand. When the knife hits, it knocks over a glass of beer on the table but when we see the table a moment later, the glass is upright, still containing beer. See more »
I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.
OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .
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