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Around the World in Eighty Days (1956)

 -  Adventure | Comedy | Family  -  1958 (USA)
6.8
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Ratings: 6.8/10 from 14,515 users  
Reviews: 99 user | 38 critic

Adaptation of Jules Verne's novel about a Victorian Englishman who bets that with the new steamships and railways he can do what the title says.

Directors:

, (uncredited)

Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Around the World in Eighty Days (1956)

Around the World in Eighty Days (1956) on IMDb 6.8/10

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Won 5 Oscars. Another 8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Andrew Stuart
...
Ralph - Bank of England Governor
Ronald Squire ...
Reform Club Member
Basil Sydney ...
Reform Club Member
...
Roland Hesketh-Baggott - London Employment Agency Manager
...
Foster - Fogg's Ex-Valet (as Sir John Gielgud)
...
Denis Fallentin -Reform Club Member
...
Hinshaw - Reform Club Aged Steward
Martine Carol ...
Girl in Paris Railroad Station
...
French Coachman
...
Monsieur Gasse -Thomas Cook Paris Clerk
...
Tart - Paris
...
Flamenco Dancer (as Jose Greco and Troupe)
Edit

Storyline

When Phileas Fogg is challenged to prove his contention that a man can go around the world in 80 days, he bets his entire fortune and leaves with a new butler on a world tour. This Victorian adventure has a kicker, the bank of England has been robbed. Is this Fogg's way of avoiding arrest? The detective following him believes so, and his butler is becoming unsure. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Plot Keywords:

bet | travel | train | england | balloon | See All (138) »

Taglines:

See everything in the World worth seeing! Do everything in the World worth doing! See more »


Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

1958 (USA)  »

Also Known As:

Around the World in 80 Days  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$42,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(35 mm) | (with overture and exit music) | (video) | (TCM print)

Sound Mix:

(Mag-optical) (35 mm prints) (1956)| (optical) (35 mm prints) (re-release prints)| (70 mm prints) (Westrex Recording System)| (Perspecta Sound encoding) (35 mm magnetic prints) (1956)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

There were two separate lawsuits filed against the producer of this film, claiming that the title song had been plagiarized. See more »

Goofs

In all the close-up scenes with the gas balloon the basket ropes are tight from the load ring and down, but from the load ring and up to the balloon they are slack. Had it been a real flying gas balloon, all the ropes and also the net above the load ring would have been very tight during flight since they are carrying the weight of the basket and everything in it. It is clearly visible that the lifting force, by a stage crane, is erroneously placed in the center through the appending gas valve. Had the sandbags on the basket actually contained sand, they would not have bounced around so lightly. Not to venture into details, but most of the flight behavior of the balloon is completely unnatural when compared to the behavior of a real aerostat under such circumstances. See more »

Quotes

Princess Aouda: Have there been any women in his life?
Passepartout: I assume he had a mother, but I am not certain.
See more »

Crazy Credits

The closing credits then begin with the words WHO WAS SEEN IN WHAT SCENE ... AND WHO DID WHAT. See more »

Connections

Referenced in Liz: The Elizabeth Taylor Story (1995) See more »

Soundtracks

Oh, Dem Golden Slippers
Written by James Allen Bland
[Played in the San Francisco saloon]
See more »

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User Reviews

 
This Picture Makes No Sense On A Small Screen
24 December 2004 | by See all my reviews

Around the World in 80 Days is part comedy and part demonstration of a new wide-screen process. I saw it in its original run at the old Rivoli Theater in New York, where the screen ran from 48th St. to 49th St. People gasped at the size of the screen when the curtains opened, before the film even got underway.

If you watch the new 16x9 DVD on anything less than a 50-inch television, the visual composition and the pacing are absolutely incomprehensible, and you're on your own to seize on the many little things that are there to entertain you. But as a whole, the film loses its reason for being when viewed on a conventional TV.

David Niven is unbeatable as Phileas Fogg, Shirley Maclaine is implausible but slyly humorous as the Princess, Robert Newton appears sober most of the time and hammy all of it as Inspector Fix.

Cantinflas is inexplicable as Passepartout, except perhaps as Mike Todd's attempt to corral the entire Latin American market. The Mexican comedian's English is very shaky; it slows him down, and his clarity comes and goes and makes me wonder if Paul Frees didn't replace a lot of his lines. At any rate, only in the seemingly improvised encounter with Red Skelton at a buffet does Cantinflas do anything remotely humorous, and there he's the straight man.

The cameos are fun, and if you're too young to know who all these geezers are, it's worth it to find out, and use the IMDb to track down the work that made them famous. I remember the shriek the original audience let out when the piano player was revealed to be Frank Sinatra.

Viewing the film now, I was most moved to see Edmund Lowe and Victor McLaglan reunited in the engine room of the Henrietta, thirty years after they riveted the industry in "What Price Glory?" Buster Keaton concentrates really hard in his appearance as the train conductor, to excellent effect. A. E. Matthews gives a terrific acting lesson in saying "no" a half a dozen times in a London sequence.

Among the original bettors, locate Ronald Squire with the drooping mustache, hollow nasal baritone, and a slouching relaxation while performing that was a marvel - Rex Harrison publicly admired Ronald Squire's ease on stage all his life. In fact, Squire is so relaxed he makes someone like Dean Martin seem uptight.

So, this film is an unusual case - requiring patience for lots of little joys on the small screen, but making sense only on a large one.


12 of 16 people found this review helpful.  Was this review helpful to you?

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