Manny, Sid, and Diego discover that the Ice Age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the wooly mammoths.
Phileas Fogg accepts a challenge from his fellow members at the Reform Club and sets of prove that you can travel around the world in a mind-boggling 80 days. He sets off by train to Paris with his new valet Passepartout but then is forced to continue the trip by balloon arriving next in Spain where Passepartout has an interesting encounter in the bullfighting ring. They finally make their way across the Mediterranean and through the Suez canal, arriving in Bombay two days ahead of schedule. They board the train for Calcutta where they find there is a 50 mile gap midway. The break in their journey proved eventful as they rescue an Indian princess, Aouda, who is about to be forced to commit suttee - throwing herself on her dead husband's funeral pyre. They make to Calcutta and on to Siam and the Honk Kong. Throughout the voyage, they are followed by a detective, Mr. Fix, who is convinced that Fogg is the thief responsible for the recent £55,000 theft at the bank of England. In Honk ... Written by
Hop on a sailing railroad across The West! Be attacked by fierce prairie Indians! Rescue a Princess in India! Sail a burning Atlantic paddle-wheeler! Fight bulls in Spain! Romp through Paris! See more »
(Mag-optical) (35 mm prints) (1956)|Mono
(optical) (35 mm prints) (re-release prints)|70 mm 6-Track
(70 mm prints) (Westrex Recording System)|4-Track Stereo
(Perspecta Sound encoding) (35 mm magnetic prints) (1956)
This is the second Todd-AO production (the first was Oklahoma! (1955)) shot twice, at 24 fps (to produce the general-release version in 35 mm) and at 30 fps (to produce the roadshow version in 70 mm). Both versions were shot on 65 mm negative with Todd-AO lenses. Sometimes two cameras operated side-by-side filming the same take, other times the same camera was used with the speed changed for the second take, and still other times, in non-dialogue scenes, the same shot was used. The 35 mm version is presented in conventional 2:1 squeeze anamorphic process (incorrectly credited to Todd-AO); the 70 mm version is presented in Todd-AO. See more »
During the parade in San Francisco, the shadow of the camera crane is visible in the street. See more »
Madam, will you join me on the verandah? I understand they serve an outstanding lemon squash.
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The closing credits then begin with the words WHO WAS SEEN IN WHAT SCENE ... AND WHO DID WHAT. See more »
Based on the famous novel of the same name Around The World In Eighty Days,is an undeniable classic,Despite a forgettable 'remake'it has never been bettered, David Niven star's as The eponymous Phileas Fogg, an Eccentric gentleman who wages a bet with his chums at the reform club, that he can attempt the impossible travel Around the globe in a record time,His epic journey takes Fogg to Paris Spain, India,Hong Kong,Japan,San Francisco, Mexican personality Cantinflas,plays Fogg's loyal Man servant Passpartout,who attends to Mr Foggs every whim, Shirley McClaine,in an early role is Aouda the Indian girl Whom Fogg rescues from a fiery death atop a funeral pyre, and subsequently falls in love with,This Classic was probably the first film to feature 'Cameo roles' the roles are an impressive list of who's who of stage and screen,the film's budget is certainly well spent every cent is up there on screen, lavishly lensed in Todd-AO which of course must be viewed in Widescreen,as it's totally unwatchable in 'Pan And Scan'
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