Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to ...
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A young man falls in love with a beautiful blonde. When he sees her being forced onto a luxury liner, he decides to follow and rescue her. However, he discovers that she is an English ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to the girl they selected without informing the other until they head back across the Atlantic by liner - with each man having brought his choice along! It becomes a stormy crossing as each man has to tell his 'find' that she might not get the role after all. Written by
Although both films and the original stage musical take place on an ocean liner, the plot of this version of "Anything Goes" has nothing to do with the plot of the 1936 film version of the musical, or, for that matter, with the show. See more »
During the "Ya Gotta Give The People Hoke" number Bing Crosby and Donald O'Connor go into a prop room, pick up a prop, go on stage, do a "bit" and go back to the prop room. About midway through, Bing comes out on stage wearing a Fireman's hat. There is a pile of brownish debris and several piles of white material that were not there a second before, indicating that one or more "bits" had been cut after filming. See more »
This is one of those movies where you think Hollywood done Cole Porter wrong. The Cole Porter tunes are excellent. That vamp Bing Crosby and cast do at the end of the movie with "Blow Gabriel Blow" is excellent; that Bing Crosby lent his talent to such a vamp speaks to his spirit as well as his talent. Changing 'Four letter words' for 'three letter words' is funny in a Hollywood sort of funny.
But the deterioration of the movie comes with Donald O'Connor throwing a ball around with a bunch of kids--I never understand this fascination for kids--it was silly, stupid, inane, vacuous. And alas there were three other numbers equally horrendous. That nonsense with a turban didn't work either.
But if you like Cole Porter, their interpretations of his music was about as good as it gets. Their vocalizations enhance Cole Porter without taking away from Cole Poter. If Hollywood has a few spare millions hanging around, they might consider a remake of ANYTHING GOES. Though in a million years, I couldn't tell who the cast should be.
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