Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to ... See full summary »
Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Jordan Blake (a widower) is a successful Broadway Producer who has always been to busy for his children, Barbara and Jerry. Girlfriend, Carolina a musical comedy star, urges Jordan to take ... See full summary »
Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to the girl they selected without informing the other until they head back across the Atlantic by liner - with each man having brought his choice along! It becomes a stormy crossing as each man has to tell his 'find' that she might not get the role after all. Written by
During the "Ya Gotta Give The People Hoke" number Bing Crosby and Donald O'Connor go into a prop room, pick up a prop, go on stage, do a "bit" and go back to the prop room. About midway through, Bing comes out on stage wearing a Fireman's hat. There is a pile of brownish debris and several piles of white material that were not there a second before, indicating that one or more "bits" had been cut after filming. See more »
As far as the golden age of musicals were concerned, the back trackers were always Paramount and Warner Brothers, who never quite achieved the magic that MGM created, despite their most valiant efforts to produce MGM-esquire musicals.
One such film that could have been a great deal more magical had MGM been at the helm is Anything Goes.
Bing Crosby stars in his second big screen version of the Cole Porter Broadway smash, although this plot has been modified slightly and brought up to date 50' style..it therefore tells a completely different story to Crosby's first version twenty years earlier.
Donald O'Conner, who in my humble opinion was one of the most underrated performers Hollywood ever had, provides the dances and comic turns whilst he romances the beautiful Mitzi Gaynor.
O'Conner was a natural at almost everything he did. He was a superb comic, a gifted actor and a dancer of extraordinary talent on par I think with Fred Astaire and his 'Singing in the Rain' co-star Gene Kelly, yet his contributions to film, have on the whole been overlooked. He was therefore demoted to 'B' movie comedies like the god awful "Francis" films.
Bing sings his way through Porters songs in his usual effortless way, as he tries to discard, appease and finally woo a French Ballet star played by ZiZi Jeanmaire, billed here simply as 'Jeanmaire' Another pleasant appearance is made by 40's band leader Phil 'Balloo in Jungle Book' Harris, and he is a welcome addition although regrettably he is not given an opportunity to perform some of those comic southern songs like 'Woodman, Spare that Tree' or 'The Dark Town Poker Club' with which he made his name.
The plot is scratchy too with Crosby and O'Conner forming an effortless partnership whilst collaborating on a new Broadway show.
The clash of styles and the obvious comparisons of youth and novice against age and experience are hinted at in the beginning, leaving you wanting more of the same, but alas these differences trail off into nothing and they are not exploited to full effect. It would have made this film a lot more enjoyable to see the two male leads spar more together and therefore classic entertainment is unfortunately denied us.
One of the previous reviewers said that there was something missing from this film that they couldn't put their finger on....I think that this was it.
But despite the bad script and leaky predictable plot, the performances are great and the songs as ever are timeless. Porter, Sammy Cahn and Jimmy Van Heusen were three of the best song-smiths in the business.
Watch this one when you can, but don't cancel anything important in order to do so.
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