Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
A young man falls in love with a beautiful blonde. When he sees her being forced onto a luxury liner, he decides to follow and rescue her. However, he discovers that she is an English ... See full summary »
'Anything Goes' narrates the story of Bill, a recently divorced pseudo-intellectual writer, and his struggles with his neurotic ex-wife after she convinces him to team up with her in the ... See full summary »
Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to the girl they selected without informing the other until they head back across the Atlantic by liner - with each man having brought his choice along! It becomes a stormy crossing as each man has to tell his 'find' that she might not get the role after all. Written by
During the "Ya Gotta Give The People Hoke" number Bing Crosby and Donald O'Connor go into a prop room, pick up a prop, go on stage, do a "bit" and go back to the prop room. About midway through, Bing comes out on stage wearing a Fireman's hat. There is a pile of brownish debris and several piles of white material that were not there a second before, indicating that one or more "bits" had been cut after filming. See more »
This is one of those movies where you think Hollywood done Cole Porter wrong. The Cole Porter tunes are excellent. That vamp Bing Crosby and cast do at the end of the movie with "Blow Gabriel Blow" is excellent; that Bing Crosby lent his talent to such a vamp speaks to his spirit as well as his talent. Changing 'Four letter words' for 'three letter words' is funny in a Hollywood sort of funny.
But the deterioration of the movie comes with Donald O'Connor throwing a ball around with a bunch of kids--I never understand this fascination for kids--it was silly, stupid, inane, vacuous. And alas there were three other numbers equally horrendous. That nonsense with a turban didn't work either.
But if you like Cole Porter, their interpretations of his music was about as good as it gets. Their vocalizations enhance Cole Porter without taking away from Cole Poter. If Hollywood has a few spare millions hanging around, they might consider a remake of ANYTHING GOES. Though in a million years, I couldn't tell who the cast should be.
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