Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if means driving his wife insane.
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
In this adaptation of Françoise Sagan's best selling novel, Paula is a beautiful and highly successful 40-year-old businesswoman. She is deeply in love with Roger, her mature consort of ... See full summary »
Young Kerstin Norbäck lives in a small town. She has a relationship with a sailor, but when she tries to leave him, he shoots her. She survives and begins a new life in Stockholm. There she... See full summary »
The world famous violinist Holger Brandt comes back to his family after a tour. He and his wife have been married for many years, but their love has gone. Their young daughter gets a new ... See full summary »
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim. Written by
Ed Stephan <email@example.com>
The original Broadway production of "Anastasia" by Marcelle Maurette (English adaptation by Guy Bolton) opened at the Lyceum Theatre on December 29, 1954, ran for 272 performances and closed on September 24, 1955. See more »
As the woman who may or may not have been the Grand Duchess Anastastia, Ingrid Bergman was welcomed back with open arms by the Hollywood fraternity that had spurned her after her affair with Roberto Rossellini and she won her second Oscar for her performance. It is a fine piece of acting in a film that is all about acting; (Bergman plays a woman called Anna Koreff who is being groomed to pass as the Grand Duchess, though it is no "Pygmalion" as she may well indeed have been the person she is being hired 'to play', though DNA tests later proved the woman in question was not Anastasia).
Yul Brynner is the Russian general who acts as her Professor Higgins and he's excellent. The same year he won an Oscar for "The King and I" but his performance here is just as good. Helen Hayes is superb as the Dowager Empress and there is a terrific turn from the great Martita Hunt as the Empress' lady-in-waiting. Anatole Litvak's direction isn't exciting in 'cinematic' terms but he knows he has a good yarn and he moves it along at a cracking pace. Between them, Bergman, Brynner and Litvak hold you in thrall.
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