Anastasia (1956)

User Rating:

7.2/10   

Director:

Anatole Litvak

Writers:

Arthur Laurents (screenplay)
Marcelle Maurette (play)

Release Date:

13 December 1956 (USA)

Genre:

Drama | History

Tagline:

From the sensational Broadway stage success that had audiences crying its acclaim!

Plot:

An opportunistic Russian businessman tries to pass a mysterious impostor as the Grand Duchess Anastasia. But she is so convincing in her performance that even the biggest skeptics believe her.

Plot Keywords:

Russian | Exile | Russian Easter | Opportunist | Grandmother

Awards:

Won Oscar. Another 4 wins & 3 nominations

Cast

Ingrid Bergman	...	Anna Koreff / Anastasia
Yul Brynner	...	General Sergei Pavlovich Bounine
Helen Hayes	...	Dowager Empress Maria Feodorovna
Akim Tamiroff	...	Boris Adreivich Chernov
Martita Hunt	...	Baroness Elena von Livenbaum
Felix Aylmer	...	Chamberlain
Sacha Pitoëff	...	Piotr Ivanovich Petrovin (as Sacha Pitoeff)
Ivan Desny	...	Prince Paul von Haraldberg
Natalie Schafer	...	Irina Lissemskaia / Nini
Grégoire Gromoff	...	Stepan (as Gregoire Gromoff)
Karel Stepanek	...	Mikhail Vlados
Ina De La Haye	...	Marusia (as Ina de la Haye)
Katherine Kath	...	Maxime

Runtime:

105 min

Country:

USA

Language:

English | French

Color:

Color

Aspect Ratio:

2.55 : 1

Sound Mix:

4-Track Stereo (Westrex Recording System)

Certification:

Australia:PG | USA:Approved (certificate #18293) | Canada:G (video rating) | Finland:S | UK:U | West Germany:12

Filming Locations:

Cathedral of St. Alexander Nevsky - 12 Rue Daru, Paris 8, Paris, France

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Helen Haye was an actress who had impressed the film's producer. He sent a memo to the casting agent saying "Hire Helen Haye". This was taken to be a misprint by the agent and the popular actress Helen Hayes was hired.

Quotes:

Dowager Empress: Lievenbaum, you're disgusting! At your age, a woman's only thoughts of sex should be gender!

Movie Connections:

Featured in "Biography: Anastasia: Her True Story" (1997)

That's entertainment!

Not the most accurate rumination on whether or not Anna was really Anastasia, perhaps, but creamy, expensive entertainment, expertly done. Many share in the credit. There's a witty, epigrammatic screenplay by the always reliable Arthur Laurents (love that closing line, and most of Helen Hayes' dialogue) that manages to speculate perceptively on the nature-of-performance theme without beating it into the ground; an evocative Alfred Newman score that surpasses virtually anything else he did at Fox; fine CinemaScope photography that really uses the outer reaches of the screen, though it does dabble in spectacle for spectacle's sake at times; a superb Hayes (she could be theatrically actressy or resort to little-old-lady tricks in other movies, but here she's the real deal); a delightful Martita Hunt; and chemistry between Ingrid Bergman and Yul Brynner that suggests all the underlying sexual tension without ever stating it explicitly. Also knock-your-eye-out costume design. In a time of rampant Hollywood bloat and slow-moving epics, this one moves along, without too much pretension. And Anatole Litvak's direction, while no great shakes, is nicely paced.