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Anastasia (1956)

An opportunistic Russian businessman tries to pass a mysterious impostor as the Grand Duchess Anastasia. But she is so convincing in her performance that even the biggest skeptics believe her.

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(screenplay), (play) | 1 more credit »
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Won 1 Oscar. Another 5 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
...
...
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Chamberlain
...
Piotr Ivanovich Petrovin (as Sacha Pitoeff)
...
...
Irina Lissemskaia
Grégoire Gromoff ...
Stepan (as Gregoire Gromoff)
...
Mikhail Vlados
...
Marusia (as Ina de la Haye)
Katherine Kath ...
Maxime
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Storyline

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

The Great Ingrid Bergman as the mystery woman - Anastasia; in her Best Actress Academy Award winning title role See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 December 1956 (USA)  »

Also Known As:

Anastasia, la princesa vagabunda  »

Box Office

Budget:

$3,520,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

At the time of filming, the filmmakers were not aware that the real Anna Anderson was still alive. When this came to their attention, they flew straight to her home in Germany and asked permission to use her name. See more »

Quotes

Baroness Elena von Livenbaum: A village. This is positively a village. I am all of Chekov's three sisters rolled into one!
See more »

Crazy Credits

Opening credits prologue: PARIS 1928

RUSSIAN EASTER See more »

Connections

Referenced in The Producers (1967) See more »

Soundtracks

Riberhus March
Written by Johannes Frederik Frøhlich
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Frequently Asked Questions

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User Reviews

 
That's entertainment!
27 November 2006 | by (New York, NY) – See all my reviews

Not the most accurate rumination on whether or not Anna was really Anastasia, perhaps, but creamy, expensive entertainment, expertly done. Many share in the credit. There's a witty, epigrammatic screenplay by the always reliable Arthur Laurents (love that closing line, and most of Helen Hayes' dialogue) that manages to speculate perceptively on the nature-of-performance theme without beating it into the ground; an evocative Alfred Newman score that surpasses virtually anything else he did at Fox; fine CinemaScope photography that really uses the outer reaches of the screen, though it does dabble in spectacle for spectacle's sake at times; a superb Hayes (she could be theatrically actressy or resort to little-old-lady tricks in other movies, but here she's the real deal); a delightful Martita Hunt; and chemistry between Ingrid Bergman and Yul Brynner that suggests all the underlying sexual tension without ever stating it explicitly. Also knock-your-eye-out costume design. In a time of rampant Hollywood bloat and slow-moving epics, this one moves along, without too much pretension. And Anatole Litvak's direction, while no great shakes, is nicely paced.


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