Western stories and legends based, and filmed, in and around Death Valley, California. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product formerly mined in Death Valley.
It is the 1870s in Wyoming Territory. Slim Sherman and his 14-year-old brother Andy try to hang on to their ranch after their father is shot by a land grabber. They augment their slight ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ... See full summary »
From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
Combat!, a one-hour World War II drama series on television, followed a frontline American infantry squad as they battled their way across Europe. With mud-splattered realism, the show ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
This show was unique because it was the only Western anthology on TV at the time. Anthologies were popular on early TV and were the equivalent of today's TV movies. Because of this format, it attracted many stars who wanted to appear on it. See more »
According to Tony Thomas's book on The Films Of Dick Powell, Zane Grey was Powell's favorite author and he loved reading his western novels. Before his Four Star Production Company went forth with this series, Powell got the rights to all of Zane Grey's work. This also might explain why you don't see any more work filming his stories.
But he found that some of the work was long and complex and not easily fit into a half hour or even an hour format. As a result other original material was commissioned. But at Powell's insistence always in the Zane Grey spirit.
For someone who liked Zane Grey Powell did few films that could be considered westerns. There were two musicals Cowboy From Brooklyn for Warner Brothers and Riding High for Paramount that had western settings. There was also the very good noir like western Station West for United Artists. That one is highly recommended for noir and western fans.
Powell's partners the other three stars Charles Boyer, David Niven, and Ida Lupino were more than content to just act occasionally in Four Star TV shows and reap the profits while Powell handled the business and creative end. Powell's motto was always like Madonna to reinvent himself from musical crooner to tough star of noir films to TV producer and tycoon. It was either that or go out of fashion very fast.
I think Powell succeeded in making a fine western anthology series that rivaled Death Valley Days for the years it was on, only ended by Dick Powell's death.
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