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4   3   2   1  
1960   1959   1958   1957   1956  
Won 1 Golden Globe. Another 18 wins & 36 nominations. See more awards »
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Playwrights '56 (TV Series 1955)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  
Stars: Gene Saks, Albert Dekker, Nina Foch
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The show started in New York with Broadway actors. It then moved to Hollywood where Hollywood actors headed the cast.

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The Iceman Cometh (TV Movie 1960)
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Studio One in Hollywood (1948–1958)
Drama
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A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received 18-Emmy nominations and five wins during its prestigious nine-year-run on ... See full summary »

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This live dramatic series featured original stories and adaptations of novels, plays, etc. during it's eight year run. During the first year, the show was sponsored by the Actor's Equity ... See full summary »

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Drama | War
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

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Comedy
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All about the citizens of Putnam's Landing and their reactions to an army missile base in their back yard.

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Goodyear Playhouse (1951–1957)
Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

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Cast

Series cast summary:
Richard Joy ...
 Himself - Announcer / ... (62 episodes, 1956-1960)
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Release Date:

4 October 1956 (USA)  »

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| (broadcast of "The Nutcracker")

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The color broadcast of "The Nutcracker" was Playhouse 90's only color telecast ever, and CBS's only live color broadcast of 1958. See more »

Connections

Referenced in Mr. Warmth: The Don Rickles Project (2007) See more »

Soundtracks

Song for a Summer Night
by Robert Allen
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User Reviews

What TV should be and now only can hope to be
11 January 2006 | by (NY) – See all my reviews

Playhouse 90 featured some of the best that Television has ever presented. The dialogue, the acting, and of-course the writing are unparalleled.

Rod Sterling being one of the most accomplished and notable writers who worked on the series, won an Emmy for Requiem for a Heavyweight in the series first season in 1956. This episode was a testament to the quality and creativity that Playhouse 90 was committed to.

Unfortunately, we can only hope with extreme futility, for quality on par with Playhouse 90 from todays Hollywood. However, there is reminisce of this type of excellent writing from Independent filmmakers. Unfortunately, the independent filmmakers receive little fanfare and far less hype compared to their Hollywood counterparts.


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