This live series featured adaptations of other works (novels, plays, etc.) plus original works for the show. It was primarily dramas but a few musicals also were presented. The show is ... See full summary »
Luis Van Rooten,
A continuation of the dramatic anthology series hosted by the master of suspense and mystery. When the series Alfred Hitchcock Presents was revived in 1962, the name was changed, but the ... See full summary »
Ray Romano's eight-day drive through the south on a stand-up comedy tour becomes more than he bargains for when longtime friend and opening act, Tom Caltabiano, brings a film student along ... See full summary »
When The Alcoa Hour dramatic anthology series moved from Sunday night to Monday, both the name and the format were changed. Instead of having a completely different cast for each episode, ... See full summary »
This live dramatic series featured original stories and adaptations of novels, plays, etc. during it's eight year run. During the first year, the show was sponsored by the Actor's Equity ... See full summary »
The show began in 1956 broadcasting all live 90-minute plays, with only a sub-par kinescope film (film camera aimed at the live broadcast on the TV monitor) as an archive. The second year they began to film maybe every second or third episode (as a "made-for-TV-movie"), then in the last two years began videotaping many of the episodes. The tape technique was harder to spot because the broadcasts still appeared live, but there are at least partial tapes (of excellent, pristine, quality) in the CBS vaults of P90 episodes of "Days of Wine and Roses (1958)," "The Old Man (1958)," "Judgment At Nuremberg (1959)," "Alas, Babylon (1960)," and the final 'Playhouse 90' from 1960, "In The Prescence of Mine Enemies." Clips of these actual tapes were featured in the 2002 CBS special "50 Years of Television City in Hollywood.". See more »
Playhouse 90 featured some of the best that Television has ever presented. The dialogue, the acting, and of-course the writing are unparalleled.
Rod Sterling being one of the most accomplished and notable writers who worked on the series, won an Emmy for Requiem for a Heavyweight in the series first season in 1956. This episode was a testament to the quality and creativity that Playhouse 90 was committed to.
Unfortunately, we can only hope with extreme futility, for quality on par with Playhouse 90 from todays Hollywood. However, there is reminisce of this type of excellent writing from Independent filmmakers. Unfortunately, the independent filmmakers receive little fanfare and far less hype compared to their Hollywood counterparts.
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