This live series featured adaptations of other works (novels, plays, etc.) plus original works for the show. It was primarily dramas but a few musicals also were presented. The show is ... See full summary »
Luis Van Rooten,
This live dramatic series featured original stories and adaptations of novels, plays, etc. during it's eight year run. During the first year, the show was sponsored by the Actor's Equity ... See full summary »
Walter Cronkite hosted the reenactments of historical events. Shows included "The Landing of the Hindenburg", "The Salem Witchcraft Trials", "The Gettysburg Address", "The Fall of Troy", and "The Scuttling of the Graf Spee".
A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received 18-Emmy nominations and five wins during its prestigious nine-year-run on ... See full summary »
The show began in 1956 broadcasting all live 90-minute plays, with only a sub-par kinescope film (film camera aimed at the live broadcast on the TV monitor) as an archive. The second year they began to film maybe every second or third episode (as a "made-for-TV-movie"), then in the last two years began videotaping many of the episodes. The tape technique was harder to spot because the broadcasts still appeared live, but there are at least partial tapes (of excellent, pristine, quality) in the CBS vaults of P90 episodes of "Days of Wine and Roses (1958)," "The Old Man (1958)," "Judgment At Nuremberg (1959)," "Alas, Babylon (1960)," and the final 'Playhouse 90' from 1960, "In The Prescence of Mine Enemies." Clips of these actual tapes were featured in the 2002 CBS special "50 Years of Television City in Hollywood.". See more »
Playhouse 90 featured some of the best that Television has ever presented. The dialogue, the acting, and of-course the writing are unparalleled.
Rod Sterling being one of the most accomplished and notable writers who worked on the series, won an Emmy for Requiem for a Heavyweight in the series first season in 1956. This episode was a testament to the quality and creativity that Playhouse 90 was committed to.
Unfortunately, we can only hope with extreme futility, for quality on par with Playhouse 90 from todays Hollywood. However, there is reminisce of this type of excellent writing from Independent filmmakers. Unfortunately, the independent filmmakers receive little fanfare and far less hype compared to their Hollywood counterparts.
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