Cathy Lane, teen-aged daughter of a globe-trotting journalist, comes to live at the home of her uncle, a newspaper editor in New York City. Curiously, Cathy is the spitting image of her ... See full summary »
Another popular 1950's sitcom about a close family. The Stones consist of loving homemaker Donna, her pediatrician husband Alex, and their children Mary and Jeff. Many situations arise like... See full summary »
12-year-old Corky has been adopted by a traveling circus owned by Big Time Champion. He is water boy to baby elephant Bimbo and otherwise participates in the behind-the-scenes life of the circus. Written by
Ed Stephan <firstname.lastname@example.org>
One of Micky Dolenz's competitors for his role in "Circus Boy" was singer-songwriter Paul Williams. Ten years later, Williams competed with Dolenz again, for a role in The Monkees (1966). Williams didn't resent Dolenz for beating him out twice, and the Monkees later recorded one of his songs, "Someday Man". See more »
The Circus Boy series bore no small resemblance to Rin Tin Tin and that's not surprising since they both came from Columbia Studio's television unit. In Rin Tin Tin small boy Rusty and a German Shepherd puppy who grew up to be Rinty was found after a wagon train massacre and the soldiers at Fort Apache made him an official mascot.
And that's what happened with Mickey Dolenz here who was then known as Mickey Braddock. He was an orphan who lived and traveled with the circus owned by Big Tim Champion as played by Robert Lowery during the gaslight era. They did the western circuit so a lot of western type plot situations could be used.
It was not a bad series and what a life for Mickey. He lived with Noah Beery, Jr. who was a clown. His other good friend and fourth and last series regular was Guinn Williams who was the head roustabout for the show.
It wasn't a Barnum&Bailey type show, but it was a small circus and life really seemed good. And unlike Rin Tin Tin you didn't have the Indians to contend with.
Too bad it only lasted two seasons, but it was only when The Monkees debuted in the Middle Sixties that I learned that our Circus Boy was not a real blond.
It must have been just as devastating for nineties fans to learn that Mark-Paul Gosselaar was not a California blond either.
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