The British Commandos send Bob Owen (Lyle Talbot) to Norway to prepare for a raid. His mission also includes freeing General Heden (Paul Baratoff) who is being held by the Nazis. His aides ... See full summary »
The man called Obam struggles with the increasingly hostile forces facing each other in a colonial African country. The African natives want their land and lives back from the British ... See full summary »
In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his ... See full summary »
Early in the War of 1812, Captain James Marshall is commissioned to run the British blockade and fetch an unofficial war loan from France. As first mate, Marshall recruits Ben Waldridge, a ... See full summary »
Escaping a Nazi prison train in war-torn Italy, an American and a British soldier set out for the Swiss border and find themselves leading a multi-national party of refugees for the Italian underground.
A disgraced Confederate Colonel who has deserted his command flees to the Everglades where he encounters a disparate group of four other Southern deserters. Togethher they struggle to find their way out of the swamp and resolve their own personal demons under the eyes of hostile Seminoles as they battle to survive the elements and each other. Written by
The colonel's final soliloquy references the Second Battle of Murfreesboro (also known as the Battle of Stones River) in which Union forces repulsed two attacks by the Confederate States of America, in a battle lasting from December 31, 1862 to January 2, 1863 (three days) at Murfreesboro in middle Tennessee. The Union victory served as a morale boost for insecure Union troops and led to the Confederacy abandoning plans to invade Tennessee. The colonel's speech implies that he was ordered to retreat in order to save his forces against withering cannon fire by Union artillery using grapeshot. See more »
When the British soldier goes to sheath the colonel's sword at the funeral, he puts it in backwards and it gets jammed. See more »
[to the Kid]
You ain't done enough to run away from. Shouldn't have followed me, kid. Shouldn't have started runnin'. I've been runnin' every since I knowed runnin' from... everything how I never liked. Yeah, I reckon there ain't much to like around this world. I've ben runnin' so long I don't know how to stop! It don't do too much good when you stop and figure why you're runnin'. It catches up to you. You can't run away from yourself. Don't run away from nothin', kid. It don't do no good. ...
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The MPAA seal appears on the opening Republic Pictures logo instead of its usual place in the credits. See more »
My Old Kentucky Home
Composed by Stephen Foster (1852)
Heard briefly when viewing daguerrotype See more »
First movie my father co-produced with R. John Hugh. Used color as a first since many movies were in b/w in 50s. Although I was too small to remember this movie being made, I played with rolls of cutting room floor scraps for years.
This was Laurence Rosenthal's first movie music score. He was a student at Rollins College in Winter Park, FL. He went on to score more movies and several TV shows in the 90s. Interestingly, a promotion still picture my father had of him was in the newspaper 40 years after it was originally taken. Guess no one ages in the movie business.
The scenes that take place during a storm were actually shot during a hurricane that visited Florida during the shooting schedule. Snakes used in the scenes came from a local tourist trap called Alligator Farm. Many of the exterior scenes were made in Altamonte Springs area.
The quicksand scene was actually a pit that was dug about chest deep and filled with leaves, etc. The actor got in and faked the sinking part. The hand going down was actually a closeup of him just pulling down his arm (trick photography 50s style). The Florida panther that jumps out of the tree was a fake that was pushed from behind by a guy with a pole. Looks real though.
Yellowneck was R. John Hugh's first stab at writing, directing, producing, et AL, a movie in Florida. The world premiere was held at the former Astor Theater in Orlando. I have the still pictures of the premiere. Lin McCarthy was on hand for the opening night. He later went on to do television.
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