The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and ... See full summary »
In the eighteenth century, a Spanish expedition is looking for seven cities of gold in a territory now known as California. A very difficult task due the opposition of the aborigines, but ... See full summary »
Robert D. Webb
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
Charming tale of mountaineer-trapper Murphy's first taste "big city" life with young, sweet Sandra Dee in tow. She flees her family, which tried to trade her for some of Murphy's beaver ... See full summary »
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and falls for the chief's daughter. Written by
Col Needham <firstname.lastname@example.org>
First American movie filmed (in 1954) in Durango City, Mexico, because art director Jack Martin Smith liked the soundstages in the city and found the surrounding landscapes to be just what he was looking for. See more »
The first time Little Dog (Jeffrey Hunter) and his party encounters Tanner (Robert Wagner), they are armed with repeating carbines. On all later occasions, they have bows until the very end when the rifles appear again. See more »
This is one of a number of 1950s Westerns which attempted to redress the balance by painting a fairly sympathetic view of the American Indian; even so, to spice up proceedings, we get a couple of rebels (second lead Jeffrey Hunter among them) opposing the impending peace treaty offered by the white man. Incidentally, though inspired by a factual incident, the film's plot line basically mingles elements from two contemporary examples of the genre BROKEN ARROW (1950; whose director, Delmer Daves, contributed to the script of this one) and ARROWHEAD (1953). With this in mind, the film doesn't really bring anything new to the table but, made with consummate Hollywood professionalism, the result is undeniably entertaining nonetheless.
Casting is adequate, too: apart from the afore-mentioned Hunter (though not exactly convincing as a redskin), we get Robert Wagner as an all-too-young Government agent hero who mediates between the two parties, Debra Paget (in a virtual reprise of her BROKEN ARROW role and who eventually defies her people by eloping with Wagner), John Lund as the experienced Cavalry officer in charge, Eduard Franz as Hunter's dignified chieftain father, Hugh O'Brian (as with Peter Graves in the same director's BENEATH THE 12-MILE REEF , a viewing of which preceded this one, he's the heroine's brash but unloved intended), Virginia Leith as a more mature secondary love interest for Wagner, and Emile Meyer as her racist storekeeper father. By the way, I've just taped the first cinematic adaptation of Ira Levin's thrller A KISS BEFORE DYING (1956) off Cable TV which I noticed shares a remarkable number of cast and crew members with the title under review (not least its hunky stars)!
Being a largely outdoor film and in order to supply the appropriate grandeur, Lucien Ballard's widescreen photography is rather frustratingly limited to long or medium shots which, when screened on a normal-sized TV set, unfortunately leads to a certain detachment on the viewer's part; by the way, in the accompanying poster gallery on the DVD, the fact that patrons would be watching a "Cinemascope" production was deemed a bigger draw than even the stars involved! The film culminates with an unusual sort of showdown as Hunter and O'Brian face an entire cavalry unit (apparently an Indian battle custom which explains the film's title) however, the duo's come-uppance sees the personal intervention of Franz, who's not pleased with their 'brave' gesture; this is then followed by a lengthy (and, I'd even say, unwarranted) scene in which Wagner meticulously prepares Hunter for burial.
The Fox DVD includes quite a nice assortment of extras: these include a reproduction of the original pressbook (filled with amusingly irrelevant ballyhoo), a reasonably comprehensive photo gallery, and a number of trailers for the studio's other catalog entries in the genre (among them the desirable Victor Mature vehicle FURY AT FURNACE CREEK  surprisingly narrated and carrying the personal endorsement of none other than Gregory Peck! and latterday black-and-white potboiler CONVICT STAGE , which I'd never heard of myself and can't fathom why it was even deemed worthy of a DVD release).
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