The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and ... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
In the eighteenth century, a Spanish expedition is looking for seven cities of gold in a territory now known as California. A very difficult task due the opposition of the aborigines, but ... See full summary »
Robert D. Webb
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache ... See full summary »
Time: A.D. 1249. Shalimar, an Egyptian princess, striving to rid her country of its Bedouin conquerors, forms an alliance with Prince Haidi, son of the Caliph of Bagdad. She practices her ... See full summary »
The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and falls for the chief's daughter. Written by
Col Needham <email@example.com>
First American movie filmed (in 1954) in Durango City, Mexico, because art director Jack Martin Smith liked the soundstages in the city and found the surrounding landscapes to be just what he was looking for. See more »
When Appearing Day shows Josh Tanner how the Cheyenne were practicing for war, a camera shot shows several horses entering the fray. You can see that at least one of the horses has metal horseshoes, which would not have been the case in those days. See more »
As a "Western movie" buff, I am surprised that this film is not more familiar to aficionados of the genre. It is a near epic, classical film.
Of course, it suffers from the usual defect common to Westerns made in this era: The Native American leads are played by white actors and there isn't adequate time to fully develop all of the characters.
Still, it is a magnificent film. It has elements of Shane, which was made several years before, and of The Searchers, which was made a year after.
The sweep and the grandeur are very reminiscent of John Ford films. No expense was spared in cinematography, locations, and the number of extras that were employed. Hundreds of Native Americans were employed, including women and children of all ages. The number of mounted cavalry approximate the size of a cavalry regiment. There weren't that many mounted soldiers in John Ford's cavalry trilogy. And, it was all achieved without the aid of computer graphics.
The dialog is realistic and the story, itself, is based on a true incident. A young Robert Wagner is very believable and likable in his solid, understated role.
This film is enormously enjoyable. I remember seeing it in the 1950s at a drive-in theater, and if only I could do so again!
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