While waiting on a delayed flight, David Trask, who has left his unfaithful wife, meets three of his fellow passengers. When the aircraft crashes, he is one of few survivors, and sets out to resolve their unfinished business.
At breakfast, Jane announces that she and Ralph are getting married the next week. All Jane and Ralph want is a small wedding with the immediate family and no reception. This is because ... See full summary »
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Sir Walter Raleigh gains audience with Queen Elizabeth I and soon wins her over to his way of thinking. He wants ships to sail and make a name for England. A young ward of the court, Beth Throgmorton, is strongly attracted to Raleigh and returns the attraction. But soon the Queen shows her desires and he bends in order to achieve his goal of ships. But still he loves Beth. Written by
Burt Lancaster was originally pursued to play Sir Walter Raleigh. See more »
At the concluding scene of the movie, Queen Elizabeth looks through her window with a telescope, an invention of 1608, five years after her death in 1603. See more »
[the Queen enters as Raleigh is on his knees trying to pick up Beth Throgmorton's broken pearl necklace]
Queen Elizabeth I:
Is this your pet swine? You've cast your pearls before him.
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Opening credits prologue: In 1581 all the roads of England led to London -- for better or worse. See more »
EXTREMELY under-rated tour-de-force for the Brilliant Bette
I cannot help but be disappointed by the reviews this movie has thusfar received in IMDb, but not surprised.
With respect to Glenda Jackson and Cate Blanchett, neither of those ladies can hold a patch on the brilliant Bette Davis, perhaps the greatest actress ever, as the immortal Queen Elizabeth I, perhaps the greatest monarch that England ever knew.
Whether or not the movie is weak history, the movie shines as a vehicle for La Davis. Richard Todd gives a decent performance, although I submit he has neither the acting chops nor the charisma of Errol Flynn. But he serves well in the role.
The costumes, cinematography and screenplay are bright and arresting. And like it or not, Bette Davis' brilliant, mannered, and astoundingly powerful depiction of Queen Elizabeth I has informed every ensuing depiction of the Virgin Queen
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