An elaborate adaptation of Dickens' classic tale of the French Revolution. Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. He becomes ... See full summary »
Robert Z. Leonard
Edna May Oliver
The second in a trilogy of movies about Elisabeth "Sissi" of Austria, the film chronicles the married life of the young empress as she tries to adjust to formal and strict life in the palace and an overbearing mother-in-law.
Sir Walter Raleigh gains audience with Queen Elizabeth I and soon wins her over to his way of thinking. He wants ships to sail and make a name for England. A young ward of the court, Beth Throgmorton, is strongly attracted to Raleigh and returns the attraction. But soon the Queen shows her desires and he bends in order to achieve his goal of ships. But still he loves Beth. Written by
The second time that actress Bette Davis portrays British monarch Queen Elizabeth I. See more »
At the concluding scene of the movie, Queen Elizabeth looks through her window with a telescope, an invention of 1608, five years after her death in 1603. See more »
[the Queen enters as Raleigh is on his knees trying to pick up Beth Throgmorton's broken pearl necklace]
Queen Elizabeth I:
Is this your pet swine? You've cast your pearls before him.
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EXTREMELY under-rated tour-de-force for the Brilliant Bette
I cannot help but be disappointed by the reviews this movie has thusfar received in IMDb, but not surprised.
With respect to Glenda Jackson and Cate Blanchett, neither of those ladies can hold a patch on the brilliant Bette Davis, perhaps the greatest actress ever, as the immortal Queen Elizabeth I, perhaps the greatest monarch that England ever knew.
Whether or not the movie is weak history, the movie shines as a vehicle for La Davis. Richard Todd gives a decent performance, although I submit he has neither the acting chops nor the charisma of Errol Flynn. But he serves well in the role.
The costumes, cinematography and screenplay are bright and arresting. And like it or not, Bette Davis' brilliant, mannered, and astoundingly powerful depiction of Queen Elizabeth I has informed every ensuing depiction of the Virgin Queen
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