A lawyer whose wife has had an affair sets out to leave her by flying to LA. He becomes ever more involved in the lives of a few fellow travelers on a journey that ends up showing him as much about himself as about the others.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
Sir Walter Raleigh gains audience with Queen Elizabeth I and soon wins her over to his way of thinking. He wants ships to sail and make a name for England. A young ward of the court, Beth Throgmorton, is strongly attracted to Raleigh and returns the attraction. But soon the Queen shows her desires and he bends in order to achieve his goal of ships. But still he loves Beth. Written by
Average Shot Length = 18.3 seconds. Median Shot Length = 16.2 seconds. See more »
At the concluding scene of the movie, Queen Elizabeth looks through her window with a telescope, an invention of 1608, five years after her death in 1603. See more »
Indeed I pity you. You have no ships and the Queen has a new lap dog.
Sir Walter Raleigh:
Dogs bark. And if they bark long enough and loud enough - they're listened to. I shall have my ships.
See more »
Opening credits prologue: In 1581 all the roads of England led to London for better or worse. See more »
16 years after portraying Queen Elizabeth I in Michael Curtiz's THE PRIVATE LIVES OF ELIZABETH AND ESSEX (1939), Bette Davis donned the garments of the fiery British monarch once more for this fine (if largely unhistorical) costumer about another tumultuous relationship of hers with Sir Walter Raleigh (here played by the late Richard Todd, who died just the other day aged 90). Although Davis unsurprisingly dwarfs the rest of the participants in the acting stakes, she is still surrounded by a most able cast that also includes Joan Collins (as one of Elizabeth's ladies-in-waiting who, much to the latter's chagrin, becomes Mrs. Walter Raleigh and is carrying his child), Herbert Marshall (as the long-suffering Chancellor of England), Robert Douglas (as Elizabeth's villainous chief adviser), Dan O'Herlihy (as, controversially, an Irish lord and Raleigh's best friend) and Jay Robinson (as Douglas' reptilian henchman). There are some good lines (especially when Davis and Todd indulge in verbal sparring), two good fight sequences both involving Todd (a vigorous swordfight in a tavern at the start and an animated fistfight with Douglas towards the end), a serviceable score from Franz Waxman and, as is to be expected from a Grade-A studio product, the film is very handsome to behold (the costume designers nabbed its sole Oscar nod).
5 of 10 people found this review helpful.
Was this review helpful to you?