A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancee, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think ...
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In the western frontier town of Cross Creek storekeeper George Temple is a polite and soft spoken man with a secret past.When three bank robbers on the lam stop in town to change horses George Temple's past comes back to haunt him.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as ... See full summary »
A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancee, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think again. When one of his hands is murdered he decides to stay and fight, utilising his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who anyway has a Mexican moll in town. Written by
Jeremy Perkins <firstname.lastname@example.org>, corrected by Michael Morrison
Average Shot Length (ASL) = 7.5 seconds See more »
When daughter Judith Wilkison (Dianne Foster) leaves the ranch after a fight, she runs out and rides away on her horse. She leaves the house hatless and gloveless. The next scene on her horse shows her wearing her hat and gloves. Granted, the gloves may have been in her pockets, but one doesn't leave one's hat on a horse... See more »
Another Range War Western With Some Infidelity Thrown In
This is yet another western about a greedy cattle baron looking to push out small ranchers and farmers. It's certainly all been done before and since. But The Violent Men is something special.
What makes it special is Barbara Stanwyck playing the role of vixen as she often did in her later films. She's married to the crippled Edward G. Robinson who's the cattle baron here, but Robinson is crippled and there is some hint that his injuries may have left him impotent. No matter to Barbara, whose needs are being met by her brother-in-law Brian Keith. That doesn't sit well with either Dianne Foster who is Robinson and Stanwyck's daughter, nor with Lita Milan who is Keith's Mexican girl friend.
The infidelity subplot almost takes over the film, but Glenn Ford as the stalwart small rancher who is a Civil War veteran come west for his health manages to hold his own here. He's every inch the quiet western hero who people make the mistake of pushing once too often. I almost expect those famous words from Wild Bill Elliott to come out of Ford's mouth, "I'm a peaceable man." Would have been very applicable in The Vioilent Men.
The Fifties was the age of the adult western, themes were entering into horse operas that hadn't been explored before. The following year Glenn Ford would do another western, Jubal, one of his best which also explores infidelity as a plot component.
There's enough traditional western stuff in The Violent Men and plenty for those who are addicted to soap operas as well.
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