Anson Page, a lawyer with Southern roots leaves New York, his wife and his kids for Georgia. His assignment is to investigate the case of Garvin Wales, a famous writer, now nearly blind and... See full summary »
In the eighteenth century, a Spanish expedition is looking for seven cities of gold in a territory now known as California. A very difficult task due the opposition of the aborigines, but ... See full summary »
Robert D. Webb
When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised ... See full summary »
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
Anson Page, a lawyer with Southern roots leaves New York, his wife and his kids for Georgia. His assignment is to investigate the case of Garvin Wales, a famous writer, now nearly blind and embittered, whose royalties have apparently never reached him. Back in his native South, Page finds himself immediately exposed to what he had fled : racial and class prejudices. But he also meets his former love, Dinah, now married to go-getter uncouth businessman Mickey Higgins. Will he find out whatever happened to 2,000 dollars in rights Wales did not cash? Will Dinah and Anson renew their love story? Written by
Dana Wynter was said to have remarked, "I have a difficult time remembering this film, especially when fans tell me they have enjoyed it, because of the fact it had a different title in just about every country it played in." See more »
Sturdy melodrama is nevertheless a product of its time
Married New York City lawyer with Southern roots returns to his hometown on business, digging up old Southern secrets and skeletons from the past as well as rekindling a distant romance. Despite some flashbacks near the beginning, a lean and straightforward adaptation of Hamilton Basso's book (its inelegant title changed to "Secret Interlude" overseas). The film manages to skirt overripe melodrama with help from the literate screenplay, however it's still rather dull. Themes of interracial relations and extra-marital intimacy must have been eyebrow-raising for 1955, but today they seem much ado about little. The performers are well-cast (and their divergent accents aren't a big distraction), but the blaring music by Elmer Bernstein seeks out more intensity on the screen than what we're getting, especially during the romantic clinches. The handsome film is well-produced, yet the plot is merely routine. **1/2 from ****
5 of 5 people found this review helpful.
Was this review helpful to you?