| Photos (see all 40 | slideshow) | Videos (see all 2) |
| Edmund Gwenn | ... | Capt. Albert Wiles | |
| John Forsythe | ... | Sam Marlowe | |
| Mildred Natwick | ... | Miss Ivy Gravely | |
| Mildred Dunnock | ... | Mrs. Wiggs | |
| Jerry Mathers | ... | Arnie Rogers | |
| Royal Dano | ... | Deputy Sheriff Calvin Wiggs | |
| Parker Fennelly | ... | Millionaire | |
| Barry Macollum | ... | Tramp | |
| Dwight Marfield | ... | Dr. Greenbow | |
| Shirley MacLaine | ... | Jennifer Rogers | |
| rest of cast listed alphabetically: | |||
| Ernest Curt Bach | ... | Ellis (uncredited) | |
| Alfred Hitchcock | ... | Man walking past Sam's outdoor exhibition (uncredited) | |
| Philip Truex | ... | Harry Worp (uncredited) | |
| Leslie Wolff | ... | Art Critic from the Modern Museum (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Michael Hayes | (screenplay) | |
| Jack Trevor Story | (novel) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Bernard Herrmann | (music score by) | ||
Cinematography by | |||
| Robert Burks | |||
Film Editing by | |||
| Alma Macrorie | |||
Art Direction by | |||
| John B. Goodman | (as John Goodman) | ||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Emile Kuri | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| C.O. Erickson | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Howard Joslin | .... | assistant director | |
Art Department | |||
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Winston H. Leverett | .... | sound recordist (as Winston Leverett) | |
| Harold Lewis | .... | sound recordist | |
Special Effects by | |||
| John P. Fulton | .... | special photographic effects | |
Visual Effects by | |||
| Scott Dougherty | .... | digital restoration producer: Cinesite (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (uncredited) | |
Camera and Electrical Department | |||
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
Other crew | |||
| Richard Mueller | .... | technicolor color consultant | |
| Saul Steinberg | .... | title illustrator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
I've been a big fan of Hitchcock as long as I can remember, but I only had the opportunity to see The Trouble with Harry recently. I never knew the film was a comedy before I began watching, so you can imagine my surprise when one innocent character after the next stumbled upon a brutally murdered corpse and react in the very least expected ways possible. It was almost as surpring, however, when I read the comments on IMDb and realized that a large portion of Hitchcock's audience simply didn't "get it". Of course the character's are not reacting the way real people would in these circumstances! How many of Hitch's characters actually would? The Trouble with Harry is Hitchcock's own jab at himself, at the entire suspense film genre, and a wonderfully inspired satire on the implications of desensitization. The film is not that simple though, for even in addressing these objectives Hitch tantalizingly avoids any answers or definitive statements. Its a difficult film to describe, but definitely worth seeing as it confirms Hitchcock's dual mastery of comedy and suspense. Watch it for the social commentary, the sleepy New England setting, but above all else, for the blissful irony that fills its every crevace. It is the kind of irony that makes shows like Family Guy so popular today. A wonderfully surpring film in every way!