A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what ... Written by
Location filming in Vermont was hampered by heavy rainfall. Many exterior scenes were actually filmed on sets constructed in a local high school gymnasium. Much of the dialogue recorded there was inaudible due to the rainfall on the tin roof, so much post-recording was necessary. See more »
After Miss Gravely confesses, she is shown leaning back on the rocking chair twice in subsequent shots. See more »
I fired three bullets. Three! One for the hunting sign, one for the tin can...
...and one for the little man who's lying in the grave.
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The drawings behind the opening credits are by artist Saul Steinberg, reportedly echoing elements of paintings by Paul Klee, whose work Hitchcock collected. Steinberg received no on-screen credit. See more »
An absolute gem, one of the few 10's I've ever given!!!
This movie is fantastic. I don't think anyone except Hitchcock could have made such humour out of a dead body. Shirley MacLaine (in her first role) is delightful and Edmond Gwenn perfect. You'll see a young Jerry Mathers pre-dating Leave it to Beaver by a few years. Don't miss this little gem, it's as funny today as it was in 1955 and I suspect for a long time to come.
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