A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
There is a dead well dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was shooting for rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most who don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. One person who Captain Wiles sees but doesn't see him back is young single mother Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles ... Written by
Sam's leaves his newest painting at the roadside stand as he and Wiggie walk to the Emporium. Sam's painting can now be seen leaning against the counter. Wiggie's attention is drawn out the window, where she sees a customer pick up Sam's painting for a closer look; her attention then shifts back to the interior of the store where Sam's painting is still magically leaning against the counter. See more »
Didn't know you had such a pretty mother, Arnie.
You think she's pretty, you should see my slingshot.
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The drawings behind the opening credits are by artist Saul Steinberg, reportedly echoing elements of paintings by Paul Klee, whose work Hitchcock collected. Steinberg received no on-screen credit. See more »
I've been a big fan of Hitchcock as long as I can remember, but I only had the opportunity to see The Trouble with Harry recently. I never knew the film was a comedy before I began watching, so you can imagine my surprise when one innocent character after the next stumbled upon a brutally murdered corpse and react in the very least expected ways possible. It was almost as surpring, however, when I read the comments on IMDb and realized that a large portion of Hitchcock's audience simply didn't "get it". Of course the character's are not reacting the way real people would in these circumstances! How many of Hitch's characters actually would? The Trouble with Harry is Hitchcock's own jab at himself, at the entire suspense film genre, and a wonderfully inspired satire on the implications of desensitization. The film is not that simple though, for even in addressing these objectives Hitch tantalizingly avoids any answers or definitive statements. Its a difficult film to describe, but definitely worth seeing as it confirms Hitchcock's dual mastery of comedy and suspense. Watch it for the social commentary, the sleepy New England setting, but above all else, for the blissful irony that fills its every crevace. It is the kind of irony that makes shows like Family Guy so popular today. A wonderfully surpring film in every way!
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