A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what ... Written by
The old car driven by the deputy sheriff is an English car with the steering wheel on the right. At one point the deputy is shown driving it on the left side of the road as in England rather than on the right. See more »
After he draws Harry's feet, Sam puts the paper block under his left arm with the beginning of his sketch barely visable (This might be caused by the lighting). In the next shot as Sam is leaning over Harry's body the charcoal on Sam's sketch is darker and more complete. See more »
The drawings behind the opening credits are by artist Saul Steinberg, reportedly echoing elements of paintings by Paul Klee, whose work Hitchcock collected. Steinberg received no on-screen credit. See more »
Yes, a Hitchcock COMEDY. And it's very clever and a lot of fun!
One thing I really admire about Hitchcock was that he was willing to experiment, and wasn't content to make the same movie over and over. This meant that he sometimes made movies that puzzled his audiences, and several of them were out and out flops. But the passage of time has been kind to many of these movies which can be enjoyed for what they are, not what the audience WANTED them to be. 'The Trouble With Harry' is a great example. Many of Hitchcock's movies have humour in them, but an actual comedy was a bit left field for him. And not just any kind of comedy, a very black one. Humour is very subjective, but I found this movie to very clever and a lot of fun. It gets off to a bit of a shaky start with John Forsythe's character coming out with some unfunny lines and bits of business, but once the story kicks in and the characters played by Edmund Gwenn and Mildred Natwick are introduced, the movie becomes very amusing. Forsythe is technically the star of the movie, and Shirley MacLaine (in her movie debut) the leading lady, but Natwick, and especially Gwenn, steal the picture, and to me have the best lines. Edmund Gwenn was also in the underrated 1950s monster movie 'Them!', and I'm really fond of him. I also get a kick out of Royal Dano who plays the sheriff. Dano was a very interesting character actor who was in everything from 'Moby Dick' to 'Drum' to 'Killer Klowns From Outer Space'. To be totally honest 'The Trouble With Harry' wouldn't make it into my Top Ten Hitchcock movies, but that is only because he made so many great ones, and it's tough to choose, not because this is poor movie. If you want an edge of your seat thriller then maybe this isn't for you, but if you thought Hitch's droll introductions on his TV show were entertaining, then you should check this one out, as it's cut from the same cloth.
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