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Top Gun (1955)

Approved | | Western | December 1955 (USA)
A gunslinger returns to his hometown to warn of an impending outlaw gang attack, but he's met with hatred and fear for his previous killings.

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(story and screenplay), (screenplay)
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Cast

Complete credited cast:
...
Rick Martin
...
Canby Judd
Karin Booth ...
Laura Mead (as Karen Booth)
James Millican ...
Marshal Bat Davis
...
Jim O'Hara
Hugh Sanders ...
Ed Marsh
...
Tom Quentin
...
Lem Sutter
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Storyline

Gunfighter Rick Martin returns to his hometown of Casper, Wyoming to learn of the fate of his mother and to warn the town of an impending raid by the Tom Quentin gang. The townspeople however reject him, afraid that his gunslinging past will cause new trouble. Rick learns that his mother did not die of illness but was murdered, and he comes to suspect the town's leading citizen -- a man now engaged to marry the woman Rick loves. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Give Us All The Whiskey, Gold And Women In Town...Or We'll Burn It To The Ground! See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

December 1955 (USA)  »

Also Known As:

Unbesiegt  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

During the scene on the edge of town where Martin is about to be framed, you can clearly see a set of car headlights move across the mountain road in the background. See more »

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User Reviews

 
Unrealized Potential
17 May 2007 | by (Claremont,USA) – See all my reviews

What a shame that a really competent director like Andre de Toth who specialized in slippery, shifting alliances didn't get hold of this concept first. He could have helped bring out the real potential, especially with the interesting character played by William Bishop. As the movie stands, it's pretty much of a mess (as asserted by reviewer Chipe). The main problems are with the direction, cheap budget, and poor script. The strength lies in an excellent cast and an interesting general concept-- characters pulled in different directions by conflicting forces. What was needed was someone with vision enough to pull together the positive elements by reworking the script into some kind of coherent whole, instead of the sprawling, awkward mess that it is, (try to figure out the motivations and interplay if you can). Also, a bigger budget could have matched up contrasting location and studio shots, and gotten the locations out of the all-too-obvious LA outskirts. The real shame lies in a waste of an excellent cast-- Hayden, Taylor (before his teeth were capped), Dehner, Reeves, along with James Millican and William Bishop shortly before their untimely deaths. Few films illustrate the importance of an auteur-with-vision more than this lowly obscure Western, which, in the right hands, could have been so much more.


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