Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Frank Sinatra plays Joe E. Lewis, a famous comedian of the 1930s-50s. When the movie opens, Lewis is a young, talented singer who performs in speakeasies. When he bolts one job for another,... See full summary »
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Kitschy musical remake of "Bachelor Mother". Debbie Reynolds plays an over-eager clerk in a large department store and Eddie Fisher plays the boss' son. After getting fired from her job, ... See full summary »
Chuck Redwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not ... See full summary »
1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with Charlie's girl Sylvia while Charlie spends his time with young actress Julie. Written by
A great title tune, attractive cast, mostly sharp dialogue, can't miss, right? Wrong; this is one of the most disappointing misfires of the 1950s, due largely to the lack of chemistry between Frank Sinatra and Debbie Reynolds. The problem is largely due to the Reynold's character, which is so poorly written. Even the perky Reynolds can do nothing with this part. Fortunately she is off camera for most of the film. Unfortunately, that means there is no payoff for the film. If you must watch it, you will enjoy David Wayne and Celeste Holm. Otherwise, don't expect much.
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