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Teaserama (1955) More at IMDbPro »

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Teaserama -- This is a compilation of several 1950s burlesque acts, so there's no real plot to summarize. There are some strippers...
Teaserama -- Open-ended Trailer from Something Weird


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This is a compilation of several 1950s burlesque acts, so there's no real plot to summarize. There are some strippers... See more » | Add synopsis »
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(2 articles)
Film Review: ‘Bettie Page Reveals All’
 (From Variety - Film News. 19 November 2013, 5:32 PM, PST)

Bettie Page Dies
 (From EmpireOnline. 12 December 2008, 3:12 AM, PST)

User Reviews:
So bad it's bad. See more (5 total) »


  (in credits order)

Bettie Page ... Herself (as Betty Page)

Tempest Storm ... Herself
Cherrie Knight ... Herself (as Cherry Knight)
Trudy Wayne ... Herself
Chris LaChris ... Herself
Twinnie Wallen ... Herself
Lolly Dorsen ... Herself
Dave Starr ... Himself
Joe E. Ross ... Himself
Pepe ... Himself (as Pepe & Roccio)
Roccio ... Herself (as Pepe & Roccio)
Honey Baer ... Herself
Vicki Lynn ... Himself

Directed by
Irving Klaw 
Produced by
Irving Klaw .... producer
Paula Klaw .... associate producer (as Paula Kramer)
Cinematography by
Michael Slifka (director of photography)
Film Editing by
Lester Orlebeck  (as Les Orlebeck)

Production CompaniesDistributors

Additional Details

69 min
Black and White | Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:

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Movie Connections:
Featured in American Grindhouse (2010)See more »


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7 out of 18 people found the following review useful.
So bad it's bad., 19 February 2004
Author: Tom DeFelice from Leominster Mass USA

This film is bad even by 1955's standards. Sexy, it isn't. Even by the lowest rent version of Burlesque, it is a mess. The "Top Banana" has the unfortunate problem of not being funny. Not even with the "take my wife, please" joke. Production values are non-existent. With one exception, the women are...well, you judge for yourself. As for the stripping? You will see more skin on a Cape Cod beach in January than is displayed here.

There is nothing wrong with being tacky. But this is just incredibly boring. One dance goes on for seven minutes and is not one-hundredth as sexy as Rita Hayworth's dance in "Gilda".

The one glimmer of light in the entire film is 1950's icon Bettie Page. Bettie has two dance numbers. Neither of which are very good. She also introduces each act with it's own title card. It is here that she shines. There is a freshness, a sexy naughty girl-next-door quality that she lends to these all to brief moments.

If you are a BIG Bettie Page fan and have a fast forward button then rent this. Otherwise, for your own safety, stay a way from this film at all costs.

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