Tarantula (1955)

User Rating:

6.5/10   

Director:

Jack Arnold

Writers:

Robert M. Fresco (screenplay) and
Martin Berkeley (screenplay) ...

Release Date:

14 December 1955 (USA)

Genre:

Horror | Sci-Fi

Tagline:

Even Science was stunned!

Plot:

A spider escapes from an isolated desert laboratory experimenting in giantism and grows to tremendous size as it wreaks havoc on the local inhabitants.

Plot Keywords:

Laboratory | Day | Tarantula | Cattle | Giantism

Cast

John Agar	...	Dr. Matt Hastings
Mara Corday	...	Stephanie 'Steve' Clayton
Leo G. Carroll	...	Prof. Gerald Deemer
Nestor Paiva	...	Sheriff Jack Andrews
Ross Elliott	...	Joe Burch
Edwin Rand	...	Lt. John Nolan
Raymond Bailey	...	Townsend
Hank Patterson	...	Josh
Bert Holland	...	Barney Russell
Steve Darrell	...	Andy Andersen

Also Known As:

The Giant Tarantula (USA) (informal title)

Runtime:

80 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

UK:PG (re-rating) (2006) | UK:X (original rating) | Germany:12 (re-rated) (video) | West Germany:18 | Australia:PG | USA:Approved (PCA #17651) | Finland:K-16 | Sweden:15

Filming Locations:

Dead Man's Point, Lucerne Valley, California, USA

Company:

Universal International Pictures (UI)

Trivia:

The tarantula was an actual live spider. Air jets were used to make it move in the desired way over a miniature landscape.

Goofs:

Continuity: The position of the hypo changes as Leo G. Carroll handles it.

Quotes:

Stephanie 'Steve' Clayton: What does it look like?
Dr. Matt Hastings: Oh, like something from another life scienc... quiet, yet strangely evil as if it were hiding its secrets from man.
Stephanie 'Steve' Clayton: You make it sound so creepy.
Dr. Matt Hastings: The unknown always is.

Movie Connections:

Featured in Watch the Skies!: Science Fiction, the 1950s and Us (2005) (TV)

Desert Bloom

As someone who'll kill a common house spider on sight, and as a resident of one of the the cooler regions of the United States, I try to watch the fifties sci-fi movie Tarantula whenever it's on. Maybe I do it as therapy. I dunno. Or maybe I'm trying to convince myself that it really is better living in a city that has been known to have blizzards in April. Whatever. But enough about me. This Jack Arnold-directed movie was made for the old Universal-International at a time that studio wasn't nearly the behemoth it is today. But U-I, or rather its management, wanted to be big, and were aiming to grow. Kind of like the eight-legged creature in this film.

The movie is set in an Arizona desert town whose handsome young Dr. John Agar is trying to solve the mysterious death of a man from a condition known as acromegaly (or acromegalia, as it's called in the film). His quest takes him to the laboratory of research scientist Leo G. Carroll, who, though outwardly polite, clearly doesn't want to be bothered. He doesn't want his beautiful young assistant, Mara Corday, to be bothered, either, least of all by the romantic Dr. Agar. As luck would have it, Carroll and his former associate and friend,--let's call him the acromegaly man, and leave it at that--were working on a nutrient that they hoped would cure world hunger. To make a long story short, one of the creatures they were experimenting on, a tarantula already the size of a Volkswagon, escaped from the lab when the acromegaly man set it on fire, as he had gone mad. He also injected Dr. Carroll with the formula that would in time give him acromegaly, too. Some friend.

In a brief period of time the spider has grown to the size of a house, then an office building. He's either very shrewd or very lucky to avoid being spotted, feasting mostly on ranchers and men in remote areas where he won't be seen by others. Guns are useless against the big guy. Dynamite can't kill him, either. He just ambles on right through it. The Air Force has to be called in. I won't tell you any more because I don't want to spoil the ending for you.

As big bug movies go, this one's near the top of my list. It's very well photographed, and the life of the small town is presented with just enough credibility so that even when the story gets a tad weird, the people seem real. I especially liked Nestor Paiva's extremely (to put it mildly) aggressive performance as the sheriff. Forceful as he is, he's never obnoxious, just assertive. Mara Corday doesn't have much to do but look pretty, which she does superbly. The late John Agar is quite good as the town doctor. No, this isn't George C. Scott we're talking about, but Agar is competent. Also, there's something about his looks, the eyes and cheekbones especially, that give him an alien, almost unreal aspect. It's a perfect face for a fifties sci-fi hero. Slightly android. Leo G. Carroll is his usual diffident self, and he does make a convincing scientist. There's something about Carroll's manner and delivery of dialog that makes you want to hear more. I wish he'd have more to say and more to do, and not just in this movie, in all the movies he appeared in. This isn't exactly a star vehicle for him, but his role is substantial, and in a way it's his low-key underacting that keeps the movie anchored in something that resembles reality. Put a more flamboyant type in the part, a Rathbone or a Lugosi, and the film would be over the top.