On a dark night of pelting rain, five men stage a well-planned train robbery and get away with a 10,000,000 dollar, nine-ton gold shipment. Dividing the massive haul into three concealed ... See full summary »
In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
In the Arizona desert, Professor Gerald Deemer is experimenting with growth hormones in the hopes of finding a way to increase the world's food supply. His partner in the project was recently found dead in the desert, suffering from a disease that normally takes years to advance but in his case seems to have afflicted him in only a few days. The local doctor, Matt Hastings, is puzzled by the strange case and with Deemer's recently arrived - and very pretty - assistant Stephanie Clayton tries to figure out what is going on. When cattle remains are found in the countryside, the evidence points to a giant tarantula as the culprit. Written by
The tarantula was an actual live spider. Air jets were used to make it move in the desired way over a miniature landscape. See more »
Early in the film, Dr. Deemer goes into the lab and puts on his apron, he is wearing a shirt with short sleeves, but when he puts his arms in the isolation box, the sleeves are long, like a lab coat, then short again in the wide shot when he pulls his arms out. See more »
[viewing what's left of his dead cattle]
I never saw anything like it! No footprints! No blood! No sign of a struggle! The bones just stripped clean like peeling a banana!
See more »
This is a top-of-the-line Sci-Fi thriller from the studio that did 'em best in the 1950s - Universal-International. Produced by William Alland (who also produced "Creature From the Black Lagoon" and "It Came From Outer Space", and directed by Jack Arnold (who directed those films) it has an intelligent script and good acting all the way around. Arnold does a great job of building suspense as he cleverly keeps the titular monster mostly off-screen for the first 2/3 of the film until it's simply too big to hide. And then --- watch out, folks! As in many another sci-fi story, the road to hell is paved with good intentions, and if there's a villain of the piece, it's the Nuclear Age - the spider of the title is merely doing it's natural thing: searching for food. Except that, thanks to Leo G. Carroll's well-meaning experiments (to increase the world's supply of food), this is one BIG spider with an equally BIG appetite! Universal's special effects department just about out-did themselves here - the matte work is almost flawless (check out Leo G. Carroll's house after the spider's visit), and the make-up department did excellent work as well. This is one of the best of it's kind, and great fun on a rainy Saturday afternoon.
19 of 19 people found this review helpful.
Was this review helpful to you?