Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to ...
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When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancee, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think ... See full summary »
Edward G. Robinson
Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to get romantic, but Ben isn't ambitious enough for her, and she soon meets up with the boss of the cattle drive. Will she make the right choice, and, more importantly, will the cattle make it to Montana ! Written by
Colin Tinto <email@example.com>
When the Jayhawkers are collecting money from Clark Gable, during a close up view of him, in the far distance behind him, you can see what is a vehicle, maybe a truck moving along a road or highway. This is supposed to be 1866. See more »
[pointing to a lynched man dangling from a tree limb]
Colonel Ben Allison:
Looks like we're close to civilization.
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Opening credits prologue: MONTANA TERRITORY 1866
They came from the South, headed for the goldfields...Ben and Clint Allison, lonely, desperate men. Riding away from a heartbreak memory of Gettysburg. Looking for a new life. A story of tall men - and long shadows. See more »
The tall men in question are Clark Gable, Robert Ryan and Cameron Mitchell heading a cattle drive to Montana through some of the most spectacular scenery in any western and Jane Russell is the woman along for the ride in Raoul Walsh's handsome, large-scale and decidedly old-fashioned movie. There isn't a great deal of plot and the tensions between the central characters are never fully developed but it's well-played and director Walsh handles the action sequences with aplomb. Sad to think, though, that within five years Gable would be dead and a new breed of darker, more intense psychological westerns would have replaced Boys Own Adventure movies like this one. It was among the last of its kind.
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