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Afm: Alice Eve Talks About Starring in and Producing Her Brother’s Film ‘Bees Make Honey’

Afm: Alice Eve Talks About Starring in and Producing Her Brother’s Film ‘Bees Make Honey’
Bees Make Honey,” the stylish debut from writer/director Jack Eve, is a true family affair. His sister Alice Eve (“Star Trek: Into Darkness,” “Black Mirror”) headlines the cast, while their father, Trevor Eve (“Troy”), is featured in a supporting role. Pic mixes 1930s period decor with modern music, flashy photography and energetic editing in a dark comedy. Alice Eve spoke with Variety about her work on “Bees Make Honey.”

How did “Bees Make Honey” originate?

It was born out of my brother’s wild imagination and his love for movies in general. He knows me very well, and knew I’d be well suited to the part. There are bits that are certainly inspired by films we’ve loved, but this is his creation.

What was it like working with your brother considering that it was his feature debut, and you’re one of the producers?

My focus was on giving exactly the performance that he
See full article at Variety - Film News »

The Best Blockbuster Summers Of the Century So Far

It’s the last full week in August, but just before Summer Madness segues into Fall Folly, we thought we’d have a go investigating a claim we’ve been hearing asserted with some frequency: that Summer 2017 is one of the best blockbuster seasons in recent memory. We decided to pit it against the 17 other summer seasons this century (yes, pedants, we count the year 2000) to see how it stacks up.

Of course, the several-billion dollar questions are: how do we define “Summer Season” and how to we define the kind of films we want to focus on?

Continue reading The Best Blockbuster Summers Of the Century So Far at The Playlist.
See full article at The Playlist »

#Imomsohard: Meet the Hilarious Moms Whose Viral Videos Have Been Viewed Over 100 Million Times!

#Imomsohard: Meet the Hilarious Moms Whose Viral Videos Have Been Viewed Over 100 Million Times!
Kristin Hensley and Jen Smedley are two moms with a lot to say.

The two Los Angeles-based comedians, who are originally from Nebraska, started the YouTube channel “IMomSoHard,” which has collected some 52,000 subscribers and over 100 million cumulative views. In their series, Hensley and Smedley talk about real issues, such as (somehow) finding the strength to exercise, diving into back-to-school season, babysitters, and—let’s face it—how kids are walking germ factories. Their most popular video, “I Spanx So Hard,” shows the two moms going the distance and squeezing into a pair of nude Spanx while reviewing the experience for
See full article at PEOPLE.com »

In Inner Space: David Lean's Indian Investigations

  • MUBI
Adela Quested (Judy Davis) finishes A Passage to India in the same manner she started the movie: her face is deformed by a window full of drops of rain. In both cases, she is looking at something more or less out of frame, blurred or uncertain, imaginary or physical. The placement of the camera, in the beginning and in the end, is at a different location. When the film starts, we are inside of a traveling agency and Adela is walking past the panoramic window. She stops for a second and stares at a large-sized model of a ship. We can’t see the ship entirely: just some chimneys, masts and ropes. We only know this is a ship because the previous shot—the first shot of the picture, actually—showed us this model.In the end of the movie, Adela is reading a letter concerning events that we have seen.
See full article at MUBI »

Atlanta Now Casting ‘Summer Madness’ and Other Auditions

Talent is currently being sought for the feature film “Summer Madness,” which will shoot in Atlanta in January 2016. “Summer Madness” follows Jack, a man who reconnects with a fellow inmate after serving three years in prison and attempting to better his life. When Jack is put on trial for murder, the only person who can help save him is the same man who arrested him three years earlier. Nine actors are being cast out of Atlanta for this paid gig. For more details, check out the full casting notice for “Summer Madness” here, and be sure to check out the rest of our Atlanta casting notices!
See full article at Backstage »

Mitchum Stars in TCM Movie Premiere Set Among Japanese Gangsters Directed by Future Oscar Winner

Robert Mitchum ca. late 1940s. Robert Mitchum movies 'The Yakuza,' 'Ryan's Daughter' on TCM Today, Aug. 12, '15, Turner Classic Movies' “Summer Under the Stars” series is highlighting the career of Robert Mitchum. Two of the films being shown this evening are The Yakuza and Ryan's Daughter. The former is one of the disappointingly few TCM premieres this month. (See TCM's Robert Mitchum movie schedule further below.) Despite his film noir background, Robert Mitchum was a somewhat unusual choice to star in The Yakuza (1975), a crime thriller set in the Japanese underworld. Ryan's Daughter or no, Mitchum hadn't been a box office draw in quite some time; in the mid-'70s, one would have expected a Warner Bros. release directed by Sydney Pollack – who had recently handled the likes of Jane Fonda, Barbra Streisand, and Robert Redford – to star someone like Jack Nicholson or Al Pacino or Dustin Hoffman.
See full article at Alt Film Guide »

Farewell to Hepburn Tomorrow

Don't cry just yet, Kate the Great fans. While it's true that there is only one wrap-up episode left Tomorrow in Anne Marie's mammoth undertaking "A Year with Kate"* in which she reviewed every performance in Katharine Hepburn's fascinating career, we have exciting news. We're making it into a book! Details are not yet concrete but if you would like to be included in updates about pre-order and other 'Don't Miss It' news, please fill out this form at our Facebook page!

Anne Marie's last episodes airs tomorrow Wednesday December 31st. But until then... take a peak at any you missed. Some chapters will be substantially rewritten for the book.

1930s: A Bill of DivorcementChristopher StrongMorning GloryLittle WomenSpitfireThe Little MinisterBreak of HeartsAlice AdamsSylvia ScarlettMary of ScotlandA Woman RebelsQuality StreetStage DoorBringing Up BabyHoliday,

1940s: Philadelphia Story,
See full article at FilmExperience »

British Superstar's Last Film Role Marred by Overtight Clothes, Fake Accent

Ivor Novello last film: 'Autumn Crocus' (photo: Ivor Novello and Fay Compton in 'Autumn Crocus') Can a plain looking, naive spinster school teacher ever find real love in faraway places? This was a question asked by Shirley Booth in Arthur Laurents' 1952 stage play The Time of the Cuckoo; Katharine Hepburn in the 1955 David Lean-directed film version, Summertime (1955); and Elizabeth Allen in the 1965 Richard Rodgers-Steven Sondheim musical adaptation, Do I Hear a Waltz? Can such a woman's yearning for romance ever be satisfied? "Yes" and "No," according to Basil Dean's fine 1934 British film Autumn Crocus, which marked the last film appearance of British stage and screen superstar Ivor Novello (Alfred Hitchcok's The Lodger). Autumn Crocus starts out during the holiday season, when two British schoolteachers decide to spend their vacation together on the Continent. Soft-hearted Jenny Grey (Fay Compton) longs to see the Austrian Alps,
See full article at Alt Film Guide »

Which is the greatest British film in history? No one seems to be in agreement

Best British movies of all time? (Image: a young Michael Caine in 'Get Carter') Ten years ago, Get Carter, starring Michael Caine as a dangerous-looking London gangster (see photo above), was selected as the United Kingdom's very best movie of all time according to 25 British film critics polled by Total Film magazine. To say that Mike Hodges' 1971 thriller was a surprising choice would be an understatement. I mean, not a David Lean epic or an early Alfred Hitchcock thriller? What a difference ten years make. On Total Film's 2014 list, published last May, Get Carter was no. 44 among the magazine's Top 50 best British movies of all time. How could that be? Well, first of all, people would be very naive if they took such lists seriously, whether we're talking Total Film, the British Film Institute, or, to keep things British, Sight & Sound magazine. Second, whereas Total Film's 2004 list was the result of a 25-critic consensus,
See full article at Alt Film Guide »

Criterion Collection: Love Streams | Blu-ray Review

John Cassavetes’ magnificent swan song, Love Streams receives the Criterion treatment this month, an addendum to the previously released five-title collection from the auteur. The film was surrounded and conceived amidst its own set of peculiar circumstances, and thus exhibits its own frenetic energy that sets it apart even within Cassavetes’ own oeuvre. After filming commenced, the director famously receiving a diagnosis that he would only live another six months due to cirrhosis of the liver. Unquestionably, this imbued his strange, wonderful, and reverential exploration of love’s complicated facets with a sharp melancholy. An adaptation of Ted Allan’s stage play, the film won the Golden Bear at the 1984 Berlin Film Festival, but wasn’t marketed properly and received a drowned out theatrical release. The film concerns the reunion of an estranged brother and sister, a pop writer Robert Harmon (John Cassavetes) and recent divorcee, Sarah Lawson (Gena Rowlands
See full article at IONCINEMA.com »

A Year with Kate: Summertime (1955)

Episode 29 of 52: In which David Lean's beautiful romantic classic gives Katharine Hepburn an eye infection and me a headache

I admit it. The spinster movies confuse me. When Nick and Nathaniel invited me on the podcast (Have you listened to the podcast? Go listen to the podcast), I stated outright that I don’t like Summertime. As a fan, I take almost personal offense hearing my idol continuously called “plain” or (at best) “interesting-looking.”

But as a cinephile, David Lean’s 1955 love letter to Venice engages me. I can’t help it. I’m a sucker for a scopophilic travelogue cinematography. And trains. And Technicolor films that overuse the color red. And judging from last year's Hit Me With Your Best Shot submissions for Summertime, many of you share my inner conflict.

Summertime is more a mood piece than a plot-driven story. David Lean exorcised most of the
See full article at FilmExperience »

Podcast: Katharine with a side of Bette!

In this special edition of the podcast, Nathaniel welcomes two Katharine Hepburn buffs Nick Davis and Anne Marie Kelly to talk about their (shared) first Actress Obsession. Naturally Kate the Great isn't the only diva that finds her way into the conversation. Expect supporting roles or cameos: Bette Davis, Cary Grant, Barbara Stanwyck, Tennessee Williams, Deborah Kerr, Spencer Tracy, Audrey Hepburn, George Cukor and more...

You can listen at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.

00:00 Intro. Plus Middle School drama: Hilariously "intense" early obsessions

13:00 Types, Genres, and Suddenly Last Summer

17:00 Her autobiography and films she loathed like Dragon Seed

22:00 Chemistry and co-stars

33:00 Revisiting unsatisfying movies -- raise a cocktail to this peculiar cinephile habit

40:00 The Spinster & The Magic Penis

47:00 Bette Davis and why we compare them. Silliness before the sign off.

Further
See full article at FilmExperience »

New on Video: ‘Caught’

Caught

Directed by Max Ophüls

Written by Arthur Laurents

USA, 1949

Max Ophüls’ third feature in America, Caught, from 1949, is an evocative amalgam of a domesticated melodramatic tragedy and a dynamic film noir sensibility. The picture stars Barbara Bel Geddes as Leonora Eames, a studious adherent to charm school principles who dreams of becoming a glamorous model, or at least marrying a young, handsome millionaire. She gets the latter when she meets Smith Ohlrig (Robert Ryan), a wealthy “international something” who gives her the superficial materials she desires but little else. Their marriage is an arduous sham. He works late hours on unclear projects while she is left to dwell uselessly in their extravagant mansion. He’s cruel to her and careless. A way out of the stifling relationship comes in the form of a job as a doctor’s receptionist. Leonora leaves Ohlrig and moves into Manhattan, where she eventually
See full article at SoundOnSight »

Visual Index ~ Summertime (1955)

When I scheduled Summertime for the "Hit Me..." series I admit I expect a huge drop off in participation due to its lack of any significant or least still-discussed reputation in the careers of David Lean and Katharine Hepburn. So I was pleasantly surprised to see such a crowd hopping on the water buses in Venice with Kate as Jane Hudson (hee. no, not that Jane Hudson).

What a difference a year has made in this series. Last year, I couldn't get a crowd for Bonnie & F'in Clyde. I almost retired the series. So thank you to the many new participants and the very reliably regulars who have stuck with this series through its popular and fallow episodes. There are only three episodes left before a June hiatus and I hope you'll stick around and get reenergize from a month of No Viewing Assignments. I am a taskmaster I know.
See full article at FilmExperience »

Hit Me With Your Best Shot: "Summertime"

For this week's episode of Best Shot, the collective series in which bloggers are invited to choose their favorite image from a pre-selected movie, we went to Italy for David Lean's Summertime (1955) starring Katharine Hepburn. The film won both of them Oscar nominations, for Direction and Acting respectively, and since I'd never seen it it fills in two Oscar gaps in my 1950s cinema.

It's a relatively modest picture all told, concerned not with big sweeping travelogue beauty (though the travelogue beauty is accounted for) but with an internal flowering. Spinster Katharine Hepburn goes to Italy, goes a little wild (well, wild for an American spinster from Akron Ohio), and then -- spoiler alert -- leaves Italy again. It's all very E.M. Forster really! (See A Room With a View and Where Angels Fear to Tread).

She was coming to Europe to find something. It was way back in
See full article at FilmExperience »

Monday Monologue: Musings from Queen Eleanor

Andrew here to kick off a theme week dedicated to my favourite movie related person of all time – Katharine Hepburn. Next Sunday is the 106th birthday of Oscar’s most fêted Actress and this week The Film Experience is devoting time to her with the centrepiece being Wednesday’s “Hit Me With Your Best Shot” devoted to Summertime, her lone David Lean collaboration. (Join us, please.)

I’m starting things off this evening with a monologue from Hepburn’s record making turn in The Lion in Winter. She became the first woman to win a third Best Actress Oscar, and then subsequently broke her own record made it a fourth with On Golden Pond in 1981.

Eponymous lion in winter, Henry, is pondering – which of his remaining three sons deserves to succeed him? Meanwhile, young new King Philip of France is visiting and wants a successor chosen, or he wants his sister,
See full article at FilmExperience »

"Hit Me..." Summery Schedule

Every Wednesday we look at a picture together and choose our own "best shot" individually. It's a great way to see a motion picture through multiple sets of eyes. Join us...  Add eyeballs to our crazy blogging monster that just looked at cloned monsters, rotten to the core dames, and stars reborn. 

Summertime, Ripley, Fantasia, Hud

Next

5/8 Summertime (1955) David Lean shoots Katharine Hepburn in Venice

5/15 The Talented Mr Ripley (1999) Tom would really like Dickie's life, thank you very much

5/22 Fantasia (1941) a strictly conducted 'best shot' special. You have three options:

1) Beginners (or Short on Time?): In honor of the May Centennial of "The Rite of Spring", choose your Best Shot from that section of Disney's experimental early feature.

2) Apprentice: Choose from 'Rite of Spring' And the movie as a whole. Two shots.

3) Sorcerer:  Your post will contain six screenshots, your choice for "best" from each of the movies major classical movements: The Nutcracker Suite,
See full article at FilmExperience »

Double Indemnity (Pre 'Body Heat' Post Coital)

Hit Me With Your Best Shot Episode 4.8

Double bourbon is fine, Walter."

As a baby cinephile in the 1980s I grew up with Body Heat (1981) as my noir of choice. Before I had any biblical knowledge of my own, I was utterly enthralled by Kathleen Turner's come-hither challenge and roaming hands, William Hurt's 'not-too-smart' insatiable lust and that broken window in a sticky Florida summer. For reasons that seem immature/absurd now, I avoided Double Indemnity for many years afterwards feeling 'I'd already seen it'. Never mind that Body Heat was less a remake than an "inspired by" or that Body Heat's reign as the Best of the Neo Noirs does nothing to diminish the bewitching "rotten to the core" vortex of Double Indemnity's scheming plot and sexual shenanigans.

Different noirs for different eras. But the long shadow that Body Heat cast on my early views
See full article at FilmExperience »

Best Picture: What If There Were Only Five?

Life of Pi by Dean WaltonI was just looking as a series of graphic Best Picture prints designed by Dean Walton and my mind wandered into a geeky Oscaroborus that I couldn't break free of. The series of prints is referred to as a "full series" but there's only five: Django Unchained, Life of Pi, Zero Dark Thirty, Les Misérables, and Lincoln. Um. There are nine Best Picture nominees this year, Dean!

It got me to thinking. I don't even think those would have been "the five", had there been just five. It's not so easy to discount Argo, Amour, Beasts of the Southern Wild and Silver Linings Playbook given the final vote tallies. I think we might have had a year of 3/5 Picture/Director split year. Or even gasp 2/5... which has happened before believe it or not.

Way back in 1955 the Best Picture nominees were: Marty, Picnic, Love is a Many Splendored Thing,
See full article at FilmExperience »

Summer Survey. Katey & Ja (Pt. 2)

To recap... now that summer movie season 2012 is a wrap, we're polling contributors, friends and You about your favorite and least favorite things of the summer. It's just a glass of something light and bubbly to raise, gulp down quickly and bring a little closure before the heavier stuff hits.

In Part 1, we heard from a few good men and here's two more voices for Part 2. Parts 3 and 4 are the podcast this weekend!

Katey

who you know and love from Cinema Blend and the occasional podcast here...

Best Movie I Saw All Summer:

I'm surprising myself by answering Magic Mike. It's got more confidence, more imagination and more willingness to let it all hang out than most anything else the studio system produced all year.

Scenes I ♥ So Much I Thought My Heart Would Burst:

1) Natasha's interrogation scene at the beginning of The Avengers-- I've always been wishy-washy
See full article at FilmExperience »
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