| Photos (See all 11 | slideshow) |
| Katharine Hepburn | ... | Jane Hudson | |
| Rossano Brazzi | ... | Renato de Rossi | |
| Isa Miranda | ... | Signora Fiorini | |
| Darren McGavin | ... | Eddie Yaeger | |
| Mari Aldon | ... | Phyl Yaeger | |
| Jane Rose | ... | Mrs. McIlhenny | |
| MacDonald Parke | ... | Mr. McIlhenny | |
| Jeremy Spenser | ... | Vito de Rossi | |
| Gaetano Autiero | ... | Mauro | |
| Virginia Simeon | ... | Giovanna | |
| rest of cast listed alphabetically: | |||
| David Lean | ... | Man at Café (uncredited) (unconfirmed) | |
| Tanya Lopert | ... | Teenage Girl (uncredited) | |
| André Morell | ... | Englishman (uncredited) | |
Directed by | |||
| David Lean | |||
Writing credits | ||
| Arthur Laurents | (play "The Time of the Cuckoo") | |
| H.E. Bates | (screenplay) & | |
| David Lean | (screenplay) | |
| Donald Ogden Stewart | uncredited | |
Produced by | |||
| Ilya Lopert | .... | producer | |
| Norman Spencer | .... | associate producer | |
Original Music by | |||
| Alessandro Cicognini | |||
Cinematography by | |||
| Jack Hildyard | |||
Film Editing by | |||
| Peter Taylor | |||
Production Design by | |||
| Vincent Korda | |||
Makeup Department | |||
| Grazia De Rossi | .... | hairdressing (as Gracia de Rossi) | |
| Cesare Gambarelli | .... | makeup artist (as Cesare Gamberelli) | |
Production Management | |||
| Raymond Anzarut | .... | production manager | |
| Franco Magli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alberto Cardone | .... | assistant director | |
| Adrian Pryce-Jones | .... | assistant director | |
Art Department | |||
| Ferdinand Bellan | .... | assistant art director | |
| William Hutchinson | .... | assistant art director (as Bill Hutchinson) | |
| Italo Tomassi | .... | manager of art department (uncredited) | |
Sound Department | |||
| John Cox | .... | sound re-recordist | |
| Peter Handford | .... | sound recordist | |
| Winston Ryder | .... | sound editor | |
| Jacqueline Thiédot | .... | sound editor | |
Camera and Electrical Department | |||
| Archie Dansie | .... | chief electrician | |
| Peter Newbrook | .... | camera operator | |
Other crew | |||
| Walter Fried | .... | presenter: Broadway | |
| Robert J. Kingsley | .... | assistant to producer | |
| Maggie Unsworth | .... | continuity (as Margaret Shipway) | |
| Robert Whitehead | .... | presenter: Broadway | |
| Walter Fried | .... | producer: original stage production (uncredited) | |
| Robert Whitehead | .... | producer: original stage production (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb UK section |
As someone who has viewed Summertime 5 or 6 times a year for its beauty alone, I can clear up a few questions: Jane Hudson has come to Venice for a relatively short vacation for which "she has waited such a long time" and "saved for so very long." She's a "fancy secretary" she says. It's easy to surmise from the action of the film that she is spending somewhere between one and two weeks in Venice. (They meet, she resists, she gives in, the go off for a weekend on the isle of Burano.)She's not rich and neither is he.
As for Renato's attraction to the prim Jane: first it's her ankle and calf, when he spots her at the cafe in Piazza San Marco. Next, it's her awkward shyness when she catches him looking at her. He is absolutely ga-ga over her "innocence" and sets his sights on the conquest. (The two of them play this nearly wordless scene brilliantly. I'd think anybody with a soul and two eyes would get it.)Then, naturally, when his heat is turned onto her and she blooms, he can't get enough.
She was 48 and he 39 when the film was released.