Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is ... See full summary »
Resigning his commission on the eve of his unit's deployment against Egyptian rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades - disguised as ... See full summary »
C. Aubrey Smith
During the 14th century when the Hundred-Year War between France and England ends with the English occupation of French Aquitainia rebel French knights vow to oust Prince Edward of Walles, ruler of Aquitainia.
Lord Terence Datchett is a "confirmed bachelor" who doesn't really have much use for women. He meets up with a French movie star, Colette Marly, and takes a dislike to her, especially when ... See full summary »
Eddie Pedak, a convicted criminal, has a steady job, a wife and daughter and he puts a down payment on a boat. He also has a police detective and brother after him, the first believes Eddie... See full summary »
Crude and uncivilized backwoods trapper Jed Cooper and his two partners sign up as scouts in a remote Oregon army fort, manned chiefly by untrained rookie soldiers. Jed, flirting with the ... See full summary »
Ana, the Princess of Eboli, wears a black patch over her right eye, where she was blinded as a youth when fighting a duel in defense of her king, the despotic Philip. Thereafter she and the... See full summary »
Olivia de Havilland,
Technicolor and tights. In the days of King Henry IV, stalwart young Myles of Crisby Dale, and his sister Meg, have been raised as peasants, without any knowledge of their father's true ... See full summary »
Shortly after the film's release the Sudan became independent on 1 January 1956, as agreed by the United Kingdom and Egypt in the Anglo-Egyptian Treaty of 1954. See more »
Opening credits prologue: In 1885 the rebellious army of dervishes enslaved and killed many thousands of defenceless natives in the Sudan. Then laid siege to Khartoum. The scanty garrison's heroic commander, General Gordon appealed for help from England - but no help reached him. See more »
Being something of a pacifist, Harry Faversham (Anthony Steele) has the misfortune to be born into a staunchly military family with all the expectations of an overbearing father (Michael Hordern) weighing down on his shoulders. Harry toes the line to please his dad, but when the old boy pops his clogs, he swiftly resigns his commission. As a consequence, he receives a white feather (the symbol of cowardice) from each of his best friends (Laurence Harvey, Ronald Lewis, and an out-of-place Ian Carmichael) on the eve of their departure to war in the Sudan. Harry awards himself a symbolic feather on behalf of his fiancée (Mary Ure) whose disappointment is clear. Harry determines to make his former friends take back their feathers, which is the signal for much derring-do to begin (hurrah!).
The tale of the four feathers is the epitome of the schoolboy adventure yarn with heroic soldiers blinded in battle, heroic soldiers captured by the fuzzie-wuzzies (not nice, I can tell you!), heroic cowards braving forehead-branding and boot polish to go deep under cover in darkest Africa, and pompous old boors endlessly recounting their role in the battle of Balaclava back in the Crimean. It should really be boredom-proof, but the sad truth is that this version comes perilously close to inducing that state at times. The film is practically a word-for-word remake of the 1939 version and even makes scandalously wholesale use of the earlier version's battle scenes which means it probably came across as a bit staid back in 1955, but looks positively creaky today.
Anthony Steel isn't a particularly convincing hero: at thirty-five he's playing a twenty-five year old who somehow looks forty-five, but the problem is more in the lack of sympathy Steel creates for his character. His Harry Faversham is the sort that sits in the corner and speaks when he's spoken too, and is therefore a little too bland to be a dashing hero, despite his acts of heroism. And exactly what sort of reaction did he expect to receive when he resigned his commission? Doesn't trotting off to the desert to regain his honour in the eyes of his friends and fiancée simply negate the strength of character required to resign in the first place? A young Laurence Harvey fares better as Faversham's upper-crust chum who suffers sun blindness when hiding from the fuzzies, and would arguably have been better suited to the leading man role. Ronald Lewis has practically nothing to do, while Ian Carmichael, on the cusp of his comedy career, comes off as a plummy-voiced twit.
The film isn't awful by any standards, but it really could have benefited from fifteen minutes being pruned from its running time, and a little more fire in young Faversham's belly.
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