A small town at the turn of the century. Lawer Fredrik Egerman has an ingénue-wife, Anne, and a grown-up son, Henrik, from an earlier marriage. His wife is still untouched, and instead he ... See full summary »
A small town at the turn of the century. Lawer Fredrik Egerman has an ingénue-wife, Anne, and a grown-up son, Henrik, from an earlier marriage. His wife is still untouched, and instead he meets his former mistress Desiree after her performance at the theatre. They leave the theatre together and Egerman falls in one of the puddles. Desiree takes him to her home and Egerman changes into a night-shirt, owned by count Malcolm, Desirees present lover. Suddenly the count comes for a visit and throws Egerman out. Written by
At the end of the shoot, Ingmar Bergman weighed 57kg. See more »
While everyone is at the supper, Henrik collapses on the table. Anna puts her hand on his right shoulder but after a cutaway to Fredrik's face, her hand is now on the left shoulder. She is also much closer to the table, and Fredrik is looking the wrong way. See more »
Petra the Maid:
And then the summer night smiled for the third time.
Frid the Groom:
[to the audience]
For the sad, the depressed, the sleepless, the confused, the frightened, the lonely.
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Deft comedy, more playful and lighter than its sisters.
I approached Smiles of a Summer Night as a fan of Sondheim's score for A Little Night Music. (I'd never seen the show.) Smiles served as a good beginning to Bergman films: it's got some very dry humour, some very physical comedy, and the trademark panorama of morality that accompanies a Bergman character set. Overall, the film expresses a rather subtle message wrapped in both lighthearted comedy and heavy family relations (not unlike the Sondheim score). It's a message worth hearing, and Bergman's handiwork make its rather deep aspects more approachable. Let's not also forget the beautiful cast and settings, which are appreciated in ANY language. :)
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