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Smiles of a Summer Night (1955)
"Sommarnattens leende" (original title)

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It's late nineteenth century Sweden. Middle aged lawyer Fredrik Egerman and his nineteen year old current wife Anne Egerman's two-year marriage has not yet been consummated. Fredrik wants ... See full summary »

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Title: Smiles of a Summer Night (1955)

Smiles of a Summer Night (1955) on IMDb 7.9/10

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Nominated for 3 BAFTA Film Awards. Another 2 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Anne Egerman
Eva Dahlbeck ...
...
Margit Carlqvist ...
Countess Charlotte Malcolm (as Margit Carlquist)
...
...
Åke Fridell ...
Frid the Groom
Björn Bjelfvenstam ...
Henrik Egerman (as Björn Bjelvenstam)
Naima Wifstrand ...
Mrs. Armfeldt
Jullan Kindahl ...
Beata, cook
Gull Natorp ...
Malla
Birgitta Valberg ...
Actress
...
Actress
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Storyline

It's late nineteenth century Sweden. Middle aged lawyer Fredrik Egerman and his nineteen year old current wife Anne Egerman's two-year marriage has not yet been consummated. Fredrik wants to give Anne as much time as she needs to feel comfortable before losing her virginity. Although she loved Fredrik when they got married, Anne realizes she is attracted to Fredrik's adult son, Henrik Egerman, a brooding seminary student who is home following his most recent exams. Also a virgin, Henrik has been in an awkward flirtation with the Egermans' sexually experienced maid, Petra, in an effort to lose his virginity. When she first sees actress Desirée Armfeldt, Anne, without Fredrik telling her, knows that Desirée and Fredrik used to be lovers, the two who still have feelings for each other. Desirée currently is having an affair with married Count Carl-Magnus Malcolm. While he is jealous of any man who Desirée shows any attention to such as Fredrik, he is not the same with his young wife, the ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A Sexy Frolic About the Sport of Love

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 December 1957 (USA)  »

Also Known As:

Smiles of a Summer Night  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (2001 DVD release)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This light, frothy piece (in terms of Ingmar Bergman's general oeuvre) was made whilst the director was undergoing financial troubles, stomach pains (he weighed only 125 pounds at the time) and a romance with Harriet Andersson that was on the rocks. Bergman later said that if he hadn't made this film when he did, he probably would have attempted suicide. See more »

Goofs

When Egerman looks in the mirror at Desiree's, his nightcap is bent forwards over his face. In the next shots after he has moved away from the mirror, the nightcap is now bent towards his right shoulder. See more »

Quotes

Mrs. Armfeldt: One can never protect a single human being from any kind of suffering. That is what makes one so tremendously weary.
See more »

Connections

Featured in X-Rated (2004) See more »

Soundtracks

PSALM 144: I HIMMELEN, I HIMMELEN
Written by Laurentius Laurinius sr
Music by unknown
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User Reviews

 
Bravo Bergman
17 January 2005 | by (Vancouver, B.C.) – See all my reviews

Men, as a gender, do not come off well in Bergman's charming sex comedy Smiles of a Summer Night, made only one year before his breakthrough hit, The Seventh Seal. At the center of the film is Frederik Egerman (Gunnar Bjonstrand) pompous and self-assured as a lawyer but insecure and frightened by competition as a lover. His son, Henrik (Bjorn Bjelvenstam), torn between the church and the bedroom, is filled with self-hatred for even thinking about going to bed with Petra the maid (Harriet Andersson). Another over-the-top male character is Count Malcolm (Jarl Kulle) a poseur whose only response to his wife's infidelity is to challenge the paramour to a duel or a game of Russian Roulette.

In Bergman's world, men are childish, selfish, and arrogant. The women on the other hand are stronger, more self-reflective, capable of pandering to the male ego and to direct their affections elsewhere when the need arises. They suffer greatly, however. Charlotte Malcolm(Margit Carlqvist), the Count's wife admits that she hates men and finds them repulsive with their "hairy" bodies but nonetheless is hopelessly in love with her philandering husband. She says that in any event "a woman's view is seldom based on aesthetics. And one can always turn out the light." Set at the turn of the century, Frederik is married to the very beautiful 19-year old Anne (Ulla Jacobson) but their marriage has never been consummated even after the passage of two years. Though it remains unclear as to why this is the case, nonetheless, Frederik is not at a loss for romance, taking up with a famous actress the equally lovely Desiree Armfeldt (Eva Dahlbeck), a relationship that began soon after Frederik's first wife died but never revealed to Anne. He confides in her in a way that he cannot with his young wife and she is a comfort to him though their relationship is full of bitter verbal thrusts and parries. Desiree on the other hand has a string of lovers and it is not hard to understand why, given her fame, beauty, and rapier wit. One of them is the aforementioned Count Malcolm, a ludicrous character with his military getup and macho posturing.

The Count is also not averse to playing around and it turns out that he is also married to the stately and elegant Charlotte. He says that he can accept someone making overtures to his wife but if anyone goes after his mistress, he becomes a "tiger". Later he says the exact opposite when his wife and Frederik have a go round. Oh yes, Henrik secretly desires Anne, and Petra, well she's open to any offers. The situation could have deteriorated into farce but in Bergman's assured hand, everything is resolved in a civilized and even graceful way at a gathering of all eight combatants at Anne's mother's country retreat. Here they all drink a mystery wine and sort out their relationships in a remarkably satisfying manner.

Smiles of a Summer Night came as quite a surprise to me, being used to the philosophical Bergman of Wild Strawberries and The Seventh Seal (yet always with an added bit of humor). I found it thoroughly enjoyable, an opinion apparently shared with Woody Allen whose film A Midsummer Night's Sex Comedy mirrored it and Stephen Sondheim who based his musical "A Little Night Music" on the film. I can't remember when there was such a collection of beautiful women in one film. Not only do they look wonderful but act impeccably and say wise and witty things. Bravo Bergman!


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