Railroad surveyer Murphy goes after rustlers who murdered his father and brother. Along the way, he first arrests then teams up with outlaw Duryea who helps Murphy only to see how long the ... See full summary »
The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and ... See full summary »
When Cochise bands together with Geronimo and other Indian nations, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. Only thing in his way are the Indians he used to call his friends.
Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not. Written by
Rod Crawford <firstname.lastname@example.org>
According to an AP report from May, 1954, Piper Laurie was a replacement for original leading lady, Allison Hayes. No reason was given for the change, but Hayes left Universal-International about the same time. See more »
When the soldier lost the water barrel over the side of the cliff, he was yanking on the wooden spigot several times as though it were a stuck cork that you have to yank out of the barrel. But it was not a cork, it was a wooden spigot that you turn to open. This was simply to add tension to that part of the movie, which had no action. See more »
Every man has looked into his own soul-about time you did too.
Smoke Signal is directed by Jerry Hooper and co-written by George F. Slavin and George W. George. It stars Dana Andrews, Piper Laurie, William Talman, Rex Reason, Milburn Stone and Douglas Spencer. A Technicolor production that's primarily filmed at the Grand Canyon of The Colorado, cinematography is by Clifford Stein and musical supervision is provided by Joseph Gershenson.
After their fort is attacked by Indians a small group of survivors escape to the wild Colorado River. Their only hope of survival is to tackle the unforgiving stretch of water whilst holding off the pursuing enemy. But can they survive each other first?
Very much a mixed bag in terms of production, Smoke Signal is enjoyable enough for the undemanding Western fan. The story is a safe one as it focuses on a fractured group dynamic having to come together in order to survive the terrain and hold off the enemy pursuing them. The group consists of a pig-headed Captain (Talman), soldiers with prejudice, a pretty lady (Laurie), a trapper (Spencer) and a prisoner (Andrews), the latter of which is a despised "Indian Lover" because of him having been married to an Indian woman and therefore lived with the Ute tribe. Many human traits and qualities will be tested on this journey, the narrative strong enough to warrant the interest being held to see how it will all pan out.
The central idea and its themes has been done far better before in films like The Last Wagon and River of No Return, to name just two. However, Smoke Signal does feature unique location work on the Big Bend of the Colorado River (Stine doing fine photography work), and it's good to see a rarely seen tribe of Indians featured in a Western, the Utes. Bonus, too, is Talman (The Hitch-Hiker), who gets a good meaty part to show what he could give as an actor. Yet the makers give good stuff with one hand and take it away with the other. Great scenery is coupled with poor back projection shots, dummies are all too evident and Laurie is arguably the ultimate token lone female character in a Western. Even the normally reliable Andrews looks weary throughout, were it not for Talman and Spencer, this would fall into the badly acted drawer.
Western fans don't demand too much from a "B" production, but some of the efforts here are dangerously close to being "Z" grade. A shame because the strong story and the real location photography carry a high interest factor for the genre follower. A better director than Hooper would have certainly improved things, or at the least someone who could stitch things together more knowingly with tricks of the trade. The Pegasus DVD release has a decent print, not pristine, but clear in picture and colour levels. It's not one to recommend with great confidence to like minded Western fans, but there's enough in here to rank it just above average. 6/10
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