A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young ... See full summary »
Lt. Col. Robert (Dutch) Holland was a third baseman for the St. Louis Cardinals, not a pitcher. While at spring training a B-36 flew over the field and Dutch was standing on third base. ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
Mac's plans to settle down and raise a family are upset by the Korean War. He goes as a fighter pilot and returns a hero, the first triple ace of the war. His neighbors have built a home ... See full summary »
A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actress named Charlotte, are waiting to see him. Written by
Daniel Bubbeo <firstname.lastname@example.org>
On Broadway, the Kramm play did have a more downbeat ending in that it is clear that there is no way for the two to ever live together again. BUT the ending, in the film, is essentially the same. No matter how much the wife, so brilliantly essayed by June Allyson, professes a change in her makeup, and no matter how they look walking hand-in-hand down the street, there is NO DOUBT that only further problems await this couple. There is definitely a cloud of doom over the whole thing, and even their steps are hesitant providing a clue to the future. Jose Ferrer chose Allyson for this film, and he was so right despite her feelings over the years that he may not have been. There should have been awards for her in The Shrike. (She had won honors for comedic turns in other films, including Too Young To Kiss, which pales in comparison to her work here). Her recent death only makes it sadder that her skills as an actress were never totallya realized by Hollywood. Her comedic and musical skills are evident in many films, but her serious work (The Secret Heart, for example) deserve to be studied again.
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