A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young ...
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A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actress named Charlotte, are waiting to see him. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Allyson badly wanted to play a dramatic, villainous role and, according to her, "begged them to let me (play Ann Downs)." However, preview audiences said "'June Allyson would never, ever put her husband in an insane asylum and leave him there. She'd at least get him out.' We had to reshoot the end of the film [where] I went back to the insane asylum . . . So I could be good. So the public never accepted me as anything but the wife and the girl next door." See more »
The opening credits are typewritten on a roll of paper, which a hand cuts at intervals with a pair of scissors. See more »
On Broadway, the Kramm play did have a more downbeat ending in that it is clear that there is no way for the two to ever live together again. BUT the ending, in the film, is essentially the same. No matter how much the wife, so brilliantly essayed by June Allyson, professes a change in her makeup, and no matter how they look walking hand-in-hand down the street, there is NO DOUBT that only further problems await this couple. There is definitely a cloud of doom over the whole thing, and even their steps are hesitant providing a clue to the future. Jose Ferrer chose Allyson for this film, and he was so right despite her feelings over the years that he may not have been. There should have been awards for her in The Shrike. (She had won honors for comedic turns in other films, including Too Young To Kiss, which pales in comparison to her work here). Her recent death only makes it sadder that her skills as an actress were never totallya realized by Hollywood. Her comedic and musical skills are evident in many films, but her serious work (The Secret Heart, for example) deserve to be studied again.
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