| Richard Attenborough | ... | George Hoskins | |
| George Baker | ... | Bill Randall | |
| Bill Owen | ... | Birdie | |
| Virginia McKenna | ... | Helen Randall | |
| Roland Culver | ... | Maj. Fordyce | |
| Bernard Lee | ... | The Customs Officer | |
| Ralph Truman | ... | Sir Richard | |
| John Chandos | ... | Raines | |
| Harold Goodwin | ... | Second Customs Officer | |
| John Longden | ... | The Detective | |
| rest of cast listed alphabetically: | |||
| Alfie Bass | ... | Sailor on 1087 (uncredited) | |
| John Boxer | ... | Customs Man (uncredited) | |
| Stratford Johns | ... | Garage Worker (uncredited) | |
| David Langton | ... | Man in Coastal Forces Club Bar (uncredited) | |
Directed by | |||
| Basil Dearden | |||
Writing credits | ||
| Nicholas Monsarrat | (novel) | |
| John Whiting | (screenplay) & | |
| Michael Relph | (screenplay) & | |
| Basil Dearden | (screenplay) | |
Produced by | |||
| Michael Relph | .... | producer | |
| Basil Dearden | .... | co-producer (uncredited) | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Gordon Dines | (director of photography) | ||
Film Editing by | |||
| Peter Bezencenet | |||
Art Direction by | |||
| Bernard Robinson | |||
Costume Design by | |||
| Anthony Mendleson | (uncredited) | ||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
Production Management | |||
| Hal Mason | .... | production supervisor | |
| David Peers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christopher Barry | .... | assistant director (as Chris Barry) | |
| John Assig | .... | second assistant director (uncredited) | |
| Julian Mackintosh | .... | third assistant director (uncredited) | |
Art Department | |||
| David Butcher | .... | draughtsman (uncredited) | |
| Bert Davey | .... | assistant art director (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
| Jack Shampan | .... | chief draughtsman (uncredited) | |
Sound Department | |||
| Arthur Bradburn | .... | sound recordist | |
| Stephen Dalby | .... | sound supervisor | |
| Gordon Stone | .... | sound editor | |
| Alastair McIntyre | .... | assistant sound editor (uncredited) | |
| Lionel Selwyn | .... | assistant sound editor (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sydney Pearson | .... | special effects | |
Visual Effects by | |||
| Geoffrey Dickinson | .... | special processes | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator | |
| Brian Elvin | .... | clapper loader (uncredited) | |
| Eddie Orton | .... | still photographer (uncredited) | |
| Herbert Smith | .... | focus puller (uncredited) | |
| Ken Westbury | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| Anthony Mendleson | .... | wardrobe supervisor | |
Editorial Department | |||
| John Jympson | .... | second assistant editor (uncredited) | |
| John S. Smith | .... | assistant editor (uncredited) | |
Music Department | |||
| Dock Mathieson | .... | conductor | |
| Royal Philharmonic Orchestra | .... | music player (as The Royal Philharmonic Orchestra) | |
Other crew | |||
| R.S. Abram | .... | location liaison officer (as Cmdr. R.S. Abram D.S.C. RN [Retd]) | |
| Jean Graham | .... | continuity | |
| K. Perry | .... | technical adviser (as Lt. [E] K. Perry R.N. [Retd]) | |
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| Contraband | Brandy for the Parson | Atonement | The Reader | Morituri |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
Despie my interest in post war films and all things Naval, I have not heard of this film. How I have missed it is beyond me.
George Baker is fantastic as the lead and Bill Owen, known to me as Compo, is a revelation. Richard Attenborough is perfect as always and the roles played by Bernard Lee and Virginia McKenna are small but superb.
I must now read the book to see how the author handled the many strands and ending, which is a little disappointing in the film. Few people in today's Britain understand the stress and strain on on those demobbed at the end of WW2 but I suspect that with growing redundancies of front line troops in Afghanistan, the stories and threads explored in this film will strike a modern chord.