6.5/10
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22 user 15 critic

Shack Out on 101 (1955)

At an isolated, seaside greasy-spoon cafe live George, the sarcastic owner; Slob, the potentially violent cook; and Kotty, the sexy waitress all the men lust after. Plus an occasional ... See full summary »

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Cast

Complete credited cast:
...
Kotty
...
Prof. Sam Bastion
...
George
...
Slob / Mr. Gregory
...
Eddie
...
Artie
Donald Murphy ...
Pepe
...
Prof. Claude Dillon
...
Perch
Fred Gabourie ...
Lookout
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Storyline

At an isolated, seaside greasy-spoon cafe live George, the sarcastic owner; Slob, the potentially violent cook; and Kotty, the sexy waitress all the men lust after. Plus an occasional customer, including "Professor Sam", Kotty's boyfriend from a nearby research facility. And something's going on under the potentially explosive surface emotions...nuclear secrets being smuggled out of the country. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

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Four men and a girl!


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Release Date:

4 December 1955 (USA)  »

Also Known As:

Shack Up on 101  »

Company Credits

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Technical Specs

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Sound Mix:

(Western Electric Recording)
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Did You Know?

Trivia

Title was supposed to be "Shack Up on 101", but star Terry Moore objected on the grounds that it was too suggestive. See more »

Quotes

Prof. Sam Bastion: Slob's got an eight cylinder body and a 2 cylinder mind.
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Soundtracks

A SUNDAY KIND OF LOVE
Written by Barbara Belle, Louis Prima, Anita Leonard, and Stan Rhodes
Credited and used in score but not vocally
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User Reviews

One-Of-A-Kind Wonder
5 February 2005 | by (Astoria, NY) – See all my reviews

I find it tremendously rewarding to see all these enthusiastic comments about this movie here on the IMDb. This is a film that no-one ever seems to have heard of, and it's a guilty pleasure in every way. It makes NO sense, it is essentially claustrophobically confined to one cheap set within which a stream of unlikely characters played by great quirky actors parades by. There is no narrative structure at all, and you're not even sure what the point is by the end, but thanks especially to Lee Marvin and Keenan Wynn, you're fascinated all along the way.

I haven't seen it in years now (something happened to my videotape of it, recorded off of TNT many years ago), but I'd consider it one of my favorite movies on the basis of the fact that I could watch it over and over and always find it satisfying.

It's hard to recommend it for any rational reason, and yet I'd urge any film buff with even a tiny sense of the absurd to watch it some time before you die. You'll never see anything remotely like it, for good reason. But it gives you faith in the concept that just about anything can get produced, if you only believe strongly enough.....


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