Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
With his family away for their annual summer holiday, New Yorker Richard Sherman decides he has the opportunity to live a bachelor's life - to eat and drink what he wants and basically to enjoy life without wife and son. The beautiful but ditsy blond from the apartment above his catches his eye and they soon start spending time together. It's all innocent though there is little doubt that Sherman is attracted to her. Any lust he may be feeling is played out in his own imagination however. Written by
The New York movie theater showing Creature from the Black Lagoon (1954) was really showing the Leslie Caron musical Lili (1953) at the time; the side of the theater visible to viewers had the "Creature" title on the marquee (along with a standee of monster and maiden on top of it), but the front of the theater marque (not visible) was still listing "Lili". A photo of the theater with all "conflicting" marquees visible was tacked up in the Fox photo department for decades. See more »
When Sherman gets his finger stuck in the champagne bottle it appears 1/4 full. After he gets his finger out and the girl pours a glass it is about 3/4 full. See more »
I think it's just elegant to have an imagination. I just have no imagination at all. I have lots of other things, but I have no imagination.
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When the title appears, one arm of the T in ITCH reaches down and scratches the stem of the letter. See more »
Magic on the screen: Monroe fights the New York heat and gives pleasure to Ewell
In the 'fifties Hollywood created its biggest, best-loved and most powerful sex symbol of allMarilyn Monroe
Marilyn's appeal was, perhaps, in her weakness, in that revealing look of innocence and confidence, in her intense desire to be loved
The 'seven year itch' points out the instinctive desire to be disloyal after seven years of matrimony, with a longing to satisfy one's sexual needs
This amusing film was adapted from a Broadway play of the same name by George Axelrod, with Tom Ewell reprising his Broadway role, walking, worrying, and sweating
Tom and Evelyn Kayes have been married for seven years While he remains in Manhattan on business, Evelyn and their son Ricky (Butch Bernard) go off to Maine to escape the sweltering summer
The apartment upstairs has been rented to a television blonde model (Marilyn Monroe). When she forgot her front door key, she had to ring Ewell's bell to let her into the building
When Marilyn accidentally knocks a tomato plant onto Tom's terrace, the happily man invites the luscious young beauty downstairs for a drink, indulging in fantasies about taking her in his arms and kissing her 'very quickly and very hard'
Marilyn comes in, explaining that she feels safe with married men... He makes a clumsy pass while they are at the piano but both fall off the seat He stammers an apology, but she pretends it is nothing
When Marilyn returns to her apartment, Tom envisions his wife having an affair in Maine with their big neighbor, Tom McKenzie (Sonny Tufts) Then he sees himself lost between foolish fantasies of seduction, and terrible ideas of his wife capturing him in action Finally he decides to put an end to his visions and asks Marilyn out to a movie...
On their way home, they stop on a subway
As the trains go by underneath, Marilyn's skirts billow up
It is so hot in the city she presumably loves the rush of air on her thighs
Marilyn plays the scene in innocent delight And Billy Wilder's shot shows a strapping blonde with a white skirt blown out like a spinnaker above her waist
For this famous shot alone, the movie is a must see
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