Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
With his family away for their annual summer holiday, New Yorker Richard Sherman decides he has the opportunity to live a bachelor's life - to eat and drink what he wants and basically to enjoy life without wife and son. The beautiful but ditsy blond from the apartment above his catches his eye and they soon start spending time together. It's all innocent though there is little doubt that Sherman is attracted to her. Any lust he may be feeling is played out in his own imagination however. Written by
The New York movie theater showing Creature from the Black Lagoon (1954) was really showing the Leslie Caron musical Lili (1953) at the time; the side of the theater visible to viewers had the 'Creature' title on the marquee (along with a standee of monster and maiden on top of it), but the front of the theater marque (not visible) was still listing 'Lili'. A photo of the theater will all "conflicting" marquees visible was tacked up in the Fox photo department for decades. See more »
The second time Richard trips over the roller-skate, it bends, but when he picks it up again, it appears unbent. See more »
Maybe if I took the little fan, put it in the icebox, then left the icebox door open, then left the bedroom door open, and soak the sheets and pillowcase in ice water... no, that's too icky!
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When the title appears, one arm of the T in ITCH reaches down and scratches the stem of the letter. See more »
Great Marilyn Doesn't Quite Save Off-Center Screwball Comedy
I've heard about this movie all my life, but actually just watched it for the first time on New Years Day 2003. I must say that I was quite disappointed. Billy WIlder is my all-time favorite director, and he does a great job bringing out MM's best. There are also five or six wildly funny scenes, but the silly, and sometimes ridiculous, Walter-Mitty-esque blurs of reality suffered by Tom Ewell's character throw this comedy completely off-balance. Ewell has the manic energy the plot calls for, and Donald McBride and Robert Strauss give great supporting turns. But Sonny Tufts is awful, and ultimately, even a sparkling gem of a performance by MM is weighed down by too much silliness.
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