| Photos (See all 13 | slideshow) |
| Toshirô Mifune | ... | Musashi Miyamoto (Takezo) | |
| Koji Tsuruta | ... | Kojiro Sasaki | |
| Mariko Okada | ... | Akemi | |
| Kaoru Yachigusa | ... | Otsu | |
| Michiyo Kogure | ... | Dayu Yoshino | |
| Mitsuko Mito | ... | Oko, Akemi's mother | |
| Akihiko Hirata | ... | Seijuro Yoshioka | |
| Daisuke Katô | ... | Toji Gion | |
| Kuroemon Onoe | ... | Priest Takuan | |
| Sachio Sakai | ... | Matahachi Honiden | |
| Yû Fujiki | ... | Denshichiro Yoshioka | |
| Machiko Kitagawa | ... | Kogure | |
| Eiko Miyoshi | ... | Osugi, Matahachi's mother | |
| Eijirô Tôno | ... | Baiken Shishido | |
| Kenjin Iida | ... | Jotaro | |
| Akira Tani | ... | Kawara-no-Gonroku | |
| Ko Mihashi | ... | Koetsu Honami | |
| Kokuten Kôdô | ... | Old Priest Nikkan | |
| Yoshifumi Tajima | ... | Yoshioka samurai | |
| Keiko Kondo | |||
| Hisako Takihana | |||
| Ren Yamamoto | |||
| Ryû Kuze | |||
| Torahiko Hamada | |||
| Yoshio Inaba | |||
| Fumito Matsuo | |||
| Minoru Itô | |||
| Yasuhisa Tsutsumi | |||
| Ren Imaizumi | |||
| Rinsaku Ogata | |||
| Kenzô Tabu |
Directed by | |||
| Hiroshi Inagaki | |||
Writing credits(in alphabetical order) | ||
| Hideji Hôjô | play | |
| Hiroshi Inagaki | ||
| Tokuhei Wakao | ||
| Eiji Yoshikawa | novel | |
Produced by | |||
| Kazuo Takimura | .... | producer | |
Original Music by | |||
| Ikuma Dan | |||
Cinematography by | |||
| Jun Yasumoto | |||
Film Editing by | |||
| Eiji Ooi | (as Hideshi Ohi) | ||
Production Design by | |||
| Kisaku Ito | |||
Set Decoration by | |||
| Makoto Sono | |||
Production Management | |||
| Boku Morimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jun Fukuda | .... | chief assistant director | |
Art Department | |||
| Kisaku Ito | .... | consultant | |
Sound Department | |||
| Chôshichirô Mikami | .... | sound | |
Camera and Electrical Department | |||
| Shigeru Mori | .... | lighting technician | |
Other crew | |||
| Tukuho Gosai | .... | choreographer | |
| Yoshio Sugino | .... | choreographer | |
| Recent Posts (updated daily) | User |
|---|---|
| The best of the trilogy? | snoblingoblin |
| song question | wilmoth_houdini |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
Although this is a samurai movie, story is far more than just sword fights. Musashi Miyamoto is perhaps the most famous swordsman in Japan. He starts from a humble beginning to become the best sword fighter in Japanese history.
Based on a novel by Eiji Yoshikawa, the second chapter of Musashi trilogy focuses on years of Musashi's development as a master swordsman. He challenges many famous fighters of his time. This included Yoshioka kendo school. Musashi defeats the headmaster there. This spawns a grudge match between the Yoshiokas and Musashi.
I've read Yoshikawa's novel before seeing the movie, and the fight sequences aren't as gritty as depicted in the novel. This is perhaps the producers intent not to portray Musashi as a mean swordsman.
This chapter also introduces Kojiro Sasaki - a master swordsman who is to become Musashi's arch rival.
You get to see young Toshiro Mifune , Kaoru Yachigusa, and Mariko Okada in their prime delivering their A list performances.
A very classy film that's worth watching.