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Samurai II: Duel at Ichijoji Temple (1955)
"Zoku Miyamoto Musashi: Ichijôji no kettô" (original title)

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Ratings: 7.5/10 from 3,605 users  
Reviews: 16 user | 23 critic

After years on the road establishing his reputation as Japan's greatest Samurai, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the ... See full summary »

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Cast

Cast overview, first billed only:
...
Kôji Tsuruta ...
Mariko Okada ...
Kaoru Yachigusa ...
Michiyo Kogure ...
Mitsuko Mito ...
Akihiko Hirata ...
Daisuke Katô ...
Kuroemon Onoe ...
Sachio Sakai ...
Yû Fujiki ...
Denshichiro Yoshioka
Machiko Kitagawa ...
Kogure
Eiko Miyoshi ...
Eijirô Tôno ...
Kenjin Iida ...
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Storyline

After years on the road establishing his reputation as Japan's greatest Samurai, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school for Kendo. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

young | japan | samurai | 17th century | 1610s | See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

20 October 1967 (USA)  »

Also Known As:

Duel at Ichijoji Temple  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

The levels of water and the mud in the rice paddies at Ichijoji Temple vary between shots. See more »

Connections

Followed by Samurai III: Duel at Ganryu Island (1956) See more »

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User Reviews

Kurosawa Nemesis
9 December 2002 | by (Switzerland) – See all my reviews

Having seen and loved most of Akira Kurosawa's samurai epics and after discovering that Tôshiro Mifune could glue me and anyone I ever introduced to him to a screen anytime, I figured I'd check out the Samurai trilogy, despite the fact that it wasn't Kurosawa. Inagaki crafted these films (in beautiful color, as opposed to B&W favored by Kurosawa at the time)while Kurosawa was also using Mifune for two of his most famous B&W films (seven Samurai, Hidden Fortress. The great Kurosawa dodged color for long since the process wasn't good enough by his standards yet. I wasn't expecting the visual feast on display here. Furthermore, Kurosawa's love for Noh theater often showed in his films, musically and in his direction, albeit to a masterful effect. This series of films is more accessible to a western audience in both aspects. Both directors boast different strengths, yet common aspects render their films grand, as they do this: sense of photography and of casting, great screenwriting abilities... and Mifune. Mifune most of all. You'd expect to have a strong leading man to carry such a trilogy, and you'd be right. But Mifune can hardly be summed up as only "good". Here, he displays even more than his swordsmanship and physical strength: he shows a trotured and honest humanity that lifts an already very good film into the higher class of truly great and powerful films. I chose to comment part 2 because it is a good sample of the trilogy, the middle chapter always being the most difficult one, often suffering of "bridge symptom". This one isn't that way. It is everything a middle part should be, keeping us entertained as much with its sharp dialogue as with one of the craziest fight scenes in history (think uneven odds and you'll still be far off) enforced by Mifune's mounting fury. Creating great anticipation for the trilogy's conclusion while being highly entertaining while steadily improving throughout on the already very good first film, this is the most satisfying second chapter in a trilogy (including Two Towers) that I've ever seen, bar Empire Strikes Back. Inagaki must have given Kurosawa many sleepless nights with prospects of rivalry. And the best part of it all? Knowing that there's more ahead and that, by most accounts, part 3 is even better! Masterpiece on its own, unmissable as a whole!


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