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Duel at Ichijoji Temple (1955)
"Zoku Miyamoto Musashi: Ichijôji no kettô" (original title)

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Ratings: 7.5/10 from 3,635 users  
Reviews: 16 user | 23 critic

After years on the road establishing his reputation as Japan's greatest Samurai, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the ... See full summary »

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Cast

Cast overview, first billed only:
...
Kôji Tsuruta ...
Mariko Okada ...
Kaoru Yachigusa ...
Michiyo Kogure ...
Mitsuko Mito ...
Akihiko Hirata ...
Daisuke Katô ...
Kuroemon Onoe ...
Sachio Sakai ...
Yû Fujiki ...
Denshichiro Yoshioka
Machiko Kitagawa ...
Kogure
Eiko Miyoshi ...
Eijirô Tôno ...
Kenjin Iida ...
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Storyline

After years on the road establishing his reputation as Japan's greatest Samurai, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school for Kendo. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

young | japan | samurai | 17th century | 1610s | See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

20 October 1967 (USA)  »

Also Known As:

Duel at Ichijoji Temple  »

Filming Locations:


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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

The levels of water and the mud in the rice paddies at Ichijoji Temple vary between shots. See more »

Connections

Follows Miyamoto Musashi (1954) See more »

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User Reviews

 
The screening of these 3 films was a national event in the 1950s.
29 June 2009 | by (United States) – See all my reviews

This comment about the "Samurai Trilogy" starts on the page for Miyamoto Musashi (Samurai I). My first viewing of the second episode was memorable because I got to take the train into town all by myself, and view it in a Tokyo theater. The first episode had just been shown on base, in a sort of cultural exchange, and my parents saw it and were pleasantly non-outraged-- I was a 9-year-old samurai-movie addict, and they believed enthusiasm beyond a certain intensity should be curbed. It was the same conflict as comic books some few years earlier. Technicolor was a big deal back then, especially in Japan, and it became the issue on which my viewing of "swordfighting movies" was decided-- the ones in color were historical films worth viewing, and even had something to teach. The black-and-white ones shown in Irumagawa and surrounding villages-- I had to sneak off to see. Ichijoji no Ketto (Duel at Ichijoji Temple) shows Miyamoto-san's achievements, while barring no holds on the issue of what they cost him. The romantic subplot continues, though its development in the western sense (toward union, wedded bliss) is thwarted at every turn. The issue is always a conflict between love and duty, and each deferment of gratification spells out a new step in the redefinition of the national character that is being mapped here. Again, some of the importance of all this is lost, even to modern Japanese audiences for whom the issues are long settled-- at the time, though, they were cliffhangers. A new character is introduced, Kojiro Sasaki who will emerge in part 3 as a rival for Musashi-- his equal except for certain features in their respective character. By the way, the score is excellent and haunting-- it extends like a symphony through all three parts, and has a leitmotif "hook" that will cause your ears to pick up in recognition, perhaps years from now, when you hear it again.


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