A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves ... See full summary »
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Odd little Western that gets off to a snappy start when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ends up as the new sheriff. He romances a Swedish woman and settles in to a peaceful life only to find that the boy has a few secrets of his own. Written by
When Mr. Swenson falls off his buckboard, he lands on a rectangular patch of ground obviously prepared in advance for the stunt. See more »
Why don't you stop feeling sorry for yourself? You think you're the only one in the world ever got a raw deal... There's a lot of people in this world who've had a tougher time than you or me. It comes with the ticket. Nobody guarantees you a free ride. The only difference is, most people don't run for cover. They keep right on going, picking up the pieces the best way they can. But you never hear of them. It's the ones who can't take it, like you - the ones looking for a free ride - who cause ...
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A rather maddening western. Apparently Paramount went all out for an oater, filming in gorgeous southwestern Colorado and Aztec ruins of northwestern New Mexico. In short, there's plenty of scenic eye candy, while if there's a studio set anywhere, I couldn't spot it. Then too, there's A-list Cagney, maybe on the aging downgrade, but still Cagney. Seems he's trying to rehabilitate young man Derek from both a leg wound and a checkered past. As the new town sheriff facing a band of outlaws, an unreliable deputy Derek, and a pack of town ruffians, he's got his work cut out.
As I see it, there's a problem with the screenplayit's too loose and lacking in focus, rambling from one incident to the next in no particular order. Thus, neither tension nor suspense builds over time nor into the rather poorly staged climax. I suspect Paramount was trying to cater to Cagney's starring presence since he's in about every scene. He's his usual commanding self. However, that's part of the problem since Derek lacks the presence needed to create chemistry with the older, compelling man. Thus, their scenes together appear lop-sided in the extreme, and the heart of the movie fails to gel.
I guess the studio figured young Derek's wayward role was apt material for brilliant director Nick Ray, who's specialty was troubled youth, i.e. They Live By Night (1948), Knock On Any Door (1949). Then too, Ray would soon triumph in the following year's iconic youth film, Rebel Without A Cause (1955). Unfortunately, I don't see any of his usual brilliance here, and I suspect he was neutralized by the rambling script and an A-list star. Though myopic editing may have figured, as it does in the river swim which strangely lacks any sequential coherence.
All in all, the 93-minutes amounts to a disappointment given the production values and talent involved. In my view, the best parts are those lushly vivid scenes from Colorado's Rockies and rivers.
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