Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
Odd little Western that gets off to a snappy start when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ends up as the new sheriff. He romances a Swedish woman and settles in to a peaceful life only to find that the boy has a few secrets of his own. Written by
When Mr. Swenson falls off his buckboard, he lands on a rectangular patch of ground obviously prepared in advance for the stunt. See more »
That's right, I was a jailbird. Six years in a stinkin' cell because I happened to look like another man. Six years out of my life, because men made up their minds too fast - men like you, so righteous, so willing to condemn.
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"Run for cover" occupies a curious place in Nicholas Ray's brilliant filmography.Sandwiched between "Johnny Guitar" and "Rebel without a cause,it suffered accordingly.They say Ray himself disliked it.And however,in "Run for cover" he opened up as he never did before.
In "knock on any door" ,Ray had already displayed a "father" -"son" relationship between Bogart and John Derek (who takes on here roughly the same kind of part he played at the beginning of the fifties).Ray would reach his peak with the following work ("Rebel" ) where Plato wanted Jim to be his dad and began to think of a new family with his pal and Judy.
Davey is a tragic character .He seems to be born under a bad sign ,he is known to have a very bad reputation wherever he goes.It's obvious in the scene of the train:whereas Matt (Cagney) wants to give the money back to the town,Davey is thinking of the life he could lead if this loot were his.
Matt knows that Davey needs someone to become a man .Alone he would walk on crutches .His leg is a transparent metaphor.Maybe he thinks of a new family he would rebuild with Helga (Viceca Lindfords).The relationship between the mature man and the Swede is full of tenderness and human warmth,a permanent feature in Ray's canon (see the lovers of "they live by night" and the teenagers in " Rebel without a cause".Like Jeff in "lusty man",Matt had a raw deal and he wants to make the best of the years which he's still got to live.Jeff will help Wes become a man in the cruel world of rodeo,but it's a different matter with Davey Bishop (what a surname!).
It's remarkable that violence appears twice after scenes depicting children: the first time when Matt is making a wooden gun for a boy ;the second time in the church as a choir of little boys and girls is singing a canticle to praise the Lord.
"Rebel without a cause" is probably Ray's most underrated work.Davey remains his most moving character ;without any mawkishness ,the director paints the picture of the rebel with a cause,who cannot understand why he should work for eight dollars a week when there's plenty of money to take.
The last line is my favorite in any Ray movie.In its own special way,it preserves the viewer from despair.
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