The Creature from the Black Lagoon has been captured by scientists and transported to an aquarium in south Florida. Once there he becomes attracted to the lovely female scientist and manages to escape and kidnap her, and heads to Jacksonville, with her real life love in pursuit.. Written by
Jonah Falcon <email@example.com>
A young Clint Eastwood makes his first screen appearance as a lab technician. He discusses with Professor Ferguson (John Agar) about an experiment involving a cat and several mice sharing the same cage. He points out that one of the mice in the cage is missing and accuses the cat of eating it, but discovers that the missing mouse was in his lab coat pocket. See more »
When Professor Ferguson is informed of the capture of the creature, his colleague refers to it as a "creature from the Devonian era" and something that should have "...died out a quarter of a million years ago."
The Devonian is a geologic period, not an era (which marked the emergence and divergence of fish species and land plants, and, near its end, the first animals to venture onto land), and lasted from 416 million years ago to the beginning of the Carboniferous Period, 359 million years ago. As with the first Creature movie, the "scientists" not only do not know the terminology of geologic history, but their chronology is all wrong. See more »
No doubt designed to make a fast buck in the 50s, you still get the Gill Man, one of the coolest of all monster designs ever, and a woman to throw cars for and swim thousands of miles for in beautiful Lori Nelson.
Even in a production without much life, the Gill Man still seems
powerful and mysterious, and his biological drive to mate with Ms. Nelson is interesting considering the long lineage of sympathetic monsters in love with knock-out blondes and brunettes. Sadly, the idea of the monster, the tragic beast longing for what is impossible to him (Wolf Man, King Kong, the Mummy) is a distant memory in filmdom. There was the recent DARK MAN, and Nicholson's WOLF, but these are obvious throw-backs to a time when monsters were more than scurrying guerrillas attacking from the shadows or machine-like mass murderers who cannot be killed. I won't count fluffy-haired vampires, whose allure as suave parasites is not "monstrous". A monster, in classic terms, in love with a beautiful woman, is denied her by the facts of their existence. Either because of grotesqueness or species-differences,
the monster endures pain, capture, and often death in his attempt to carry a Lori Nelson in his arms through a moonlit swamp.
In REVENGE the Gill Man is probed, prodded, and stared at by tourists, definitely the worst fate, though this allows the Creature to establish a magnetic attraction to Lori Nelson. You get a great escape, more Lori Nelson in bathing suits, a big bohunk who has an unhealthy fetish with wrestling the Gill Man hand-to-hand, and lots more Lori Nelson in a bathing suit. What you don't do is watch this movie for any reason but to see the Gill Man thrash in the water and smack
bohunks...and if you're a fan of the Creature and classic monsters, you'll understand the tragic consequences when you're a walking fish-man who's half-man enough to love a human woman, and whose tears probably would never show, in the depths of the deepest lagoons.
14 of 17 people found this review helpful.
Was this review helpful to you?