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Razzia (1955)

Razzia sur la chnouf (original title)
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »

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(based on the novel by), (adaptation) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Henri Ferré dit 'Le Nantais'
...
Paul Liski (as Dalio)
...
Roger le Catalan
Albert Rémy ...
Bibi
...
Léa
Pierre-Louis ...
L'inspecteur Leroux - de la brigade mondaine
Jacqueline Porel ...
Solange Birot
Roland Armontel ...
Louis Birot, l'ingénieur-chimiste (as Armontel)
Françoise Spira ...
Yvonne, la dame des lavabos
Josselin ...
Fredo
Simone Sylvestre ...
La compagne de l'homme au revolver
...
Lisette
Jean Olivier
François Patrice ...
Jo
Suzy Willy ...
La patronne du restaurant
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Storyline

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police is following his every step! Is Henri what he says he is, or an undercover detective from the French police? Written by Artemis-9

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

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Details

Country:

Language:

Release Date:

7 April 1955 (France)  »

Also Known As:

Razzia  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Visa de contôle cinématographique N° 16014. See more »

Connections

Referenced in Settling the Score (2006) See more »

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User Reviews

 
A really good French film...
17 May 2004 | by (Toronto, Ontario, Canada) – See all my reviews

I just saw this tonight on TFO (Télévision française en Ontario) in a pristine black and white print and a very hopped-up fake stereo soundtrack that gives extra presence to the jazz music, the nightclub atmosphere, the dialog and the sound effects. Everything about this little police story is modern: the camera movements, the naturalism of the interpretation, the Paris slang, the art of the narration, the atmosphere of the criminal milieu, the non-judgemental attitudes. You really feel like you are there. The actors are all superb: Lila Kedrova, Jean Gabin, Dalio, Magali Noël... It's films like these that make you realize that the so-called Nouvelle Vague was really a step backward and a failure on every level (especially the intellectual) besides being a monumental bore. The real dream-weavers and the real avant-garde were the so-called traditionalists like Decoin.


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