Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out ... See full summary »
In post-war Vienna, occupied by the Allies, four sergeants representing each of the occupying nations (USA, England, France, Soviet Union)patrol in the same Jeep. One day they are given the... See full summary »
Dr. Karl Sternau, the personal physician of the count Bismarck, who spent much of his youth in Mexico, is sent back to that country during the occupation by French troops in the service of ... See full summary »
Thérèse Ravenaz is a charming young woman but also the victim of a seducer who abandoned her as soon as he was told she was expecting a baby. To trace her unworthy lover, she boards a taxi ... See full summary »
Jean-Paul Le Chanois
A self-pitying but popular playwright drives to Vladimir to relax with a doting female student and another writer. He's convinced his writing is of no lasting value, but he still has an ego... See full summary »
Sordi gives a deep and touching comic performance as an Italian fur merchant who is going to Sweden for the first time to attend the annual fur auctions in Stockholm. The movie depicts the ... See full summary »
Gian Luigi Polidoro
An unsatisfied woman in her late 30s dreams about stealing the big cash and leaving the country. She meets a petty criminal ten years her junior who has the thing for her, and she asks herself is he the only true love of her life.
Immediate background: After "the crimson pirate" and a -failed-remake of Feyder's "Le Grand Jeu" in France,Robert Siodmak was back in Germany.He did not direct in his native land for more than twenty years,since "Brennendes Geheimnis" .In between,he made brilliant movies ,some of them are among the classics of film noir.
Siodmak finds back a humiliated country .He came in blaring in 1929 with "Menschen am Sonntag" and with "die Ratten" came back the same way.He was helped by two of the most talented German thespians of the era: Maria Schell and Cürd Jurgens plus a fine supporting cast including Gustav Knuth people outside Germany know essentially as Sissi's father in the famous Marischka saga.
The prologue sets the tone: a distraught frenzied Schell tries to get to Berlin West.When the soldiers stop her,they discover she's holding a rag doll.The film is a long flashback.
Siodmak depicts a murky atmosphere ,with mean characters ,the rats.The subject is that of the great melodramas of the forties ,but the director displays a gutsy realism which is more European.
Memorable scenes: The bric a brac in M.John's house where his brother-in-law is doing bad things behind his back and where Pauline gives birth to her child.
The baptism and the funeral of two children,two scenes which recall Abel Gance's "Venus Aveugle"(1942) The walk through the Christmas market(Siodmak often uses the pom-pom of the fairground music ,notably during the cast and credits) where Pauline buys a teddy bear.
The ball of the new year's eve when a Singerin is bawling out a horrible ditty about having fun.
Siodmak seems to remember his earlier films such as "Voruntersuchung" ( a contrast between the tragedy and the fair and the fireworks where people rejoice) and "Stürme der Leidenschaft" aka" Tumultes" (the knife).
Like this? try These....
"The old maid" Edmund Goulding 1939
"The great lie" EDmund Goulding 1941
"To each his own" Mitchell Leisen 1946
"La voleuse" Jean Chapot 1966 (starring Romy Schneider)
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