Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Monica Rivers is the owner and ringmaster of a traveling circus, and she'll stop at nothing to draw bigger audiences. When a series of mysterious murders begins to occur and some of her ... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
Margaret Drew runs her trucking company single-mindedly, if not ruthlessly. The only thorn in her side is writer Michael Holmes who is writing a book on some of her tough ways. With no time... See full summary »
Joan Crawford makes her first entrance in the film in a white mink coat with a dark brown fox collar. The look of this outfit is copied in Mommie Dearest (1981) when Christina visits Joan and Alfred Steele in their still-under construction apartment. See more »
Joan Crawford appears to have a field day in this extraordinarily engrossing, overheated family melodrama. Ranald MacDougall's script is like Tennessee Williams without the poetry or the subtext. And it's like Douglas Sirk without the sumptuous color or the inner turmoil it disguises.
Eva Philips is possessive, controlling, and self-absorbed, and Crawford plays her to the hilt. What more could any fan ask?
In one memorable scene, her cousin asks what the doctor said (about Eva's troubled child). "Such extravagant things!" responds Eva, "Did you see how the doctor trembled as he spoke to me? You'd think he'd never seen a beautiful woman before!"
Moments like these are pure gold (or should it be 'honey'?) in this wondrous opera-without-singing.
The rest of the cast consists of some more than adequate talent: Barry Sullivan (Eva's booze-soaked, trampled husband), John Ireland (a former lover, still caught by her stinger. He gets one of the best lines: "Whatever you are Eva, you're on wheels!"), Betsy Palmer (the deer in Eva's lethal headlights). Lucy Marlow (that starlet from the opening sequence of A STAR IS BORN, 1954) is passable. (In a recent TCM documentary, it is revealed that Crawford really slapped the younger actress with all her might.). Fay Wray makes a brief, but noteworthy appearance early on, a past casualty of Eva's rampaging ego.
If you enjoy watching a 5-foot Godzilla in a Jean Louis gown, don't miss QUEEN BEE.
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