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A young Hebrew named Micah, unsatisfied with his father's rural life, demands his inheritance so he can try his luck in the city. Once in the city he falls under the spell of a beautiful pagan priestess who induces him to squander his money and betray his faith. Only after many trials and tribulations does Micah recover his senses and return home to his forgiving father. Written by
This was Lana Turner's first movie in CinemaScope. See more »
The women in the wheel are the pick of the market. Did you not notice how superb were the haunches of the Grecian woman and how the lips of the Egyptian parted when she looked at any man?
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The best showcase ever equipped for Turner excellent figure...
Lana Turner was pure magic, emotion and sensation in her long walk through the temple of love... And "The Prodigal" will remain the best showcase ever equipped for her excellent figure... The film is M.G.M.'s entry in the CinemaScope Bible race...
Lana was cast as Samarra, the lightly-clad temptress who incited history's first juvenile delinquent to leave home
The film was based on the Biblical story of the prodigal son as told by St. Luke in Chapter XV of his gospels There, in fewer than 300 words is the bare suggestion of a youth who "wasted his substance in riotous living," later to return, repentant to farm and father
The screenplay portrayed the prodigal as Micah (Edmond Purdom), the model son of a Hebrew patriarch named Eli (Walter Hampden). As the film begins he has honored his father by becoming engaged to Ruth (Audrey Dalton), a gentle girl of his own faith
While visiting Damascus, however, the youth enters the tent of Samarra, the high priestess of Astarte, goddess of the flesh, and he is dazzled by her beauty To his father's bitter dismay, he demands his share of the family fortune, leaves his fiancée on the eve of their marriage, and goes off to the city in pursuit of the pagan woman, whose duties include presiding over human sacrificial rites
Among the fleshpots of Damascus, Micah's uncontrollable infatuation for the priestess plunges him into a variety of mishaps He is victimized by Nahreeb (Louis Calhern), the sinister high priest of Baal, who conspires to destroy him for his irreverent interest in Samarra; by Bosra (Francis L. Sullivan), an unscrupulous moneylender; and even by Samarra herself, who withholds her love until he produces a certain valuable pearl as a gift for her goddess
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