Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the "evil eye" and brings disaster... See full summary »
Grace hastily marries a French aristocrat during WWII, but is separated by circumstance from him for almost nine years. And when reunited, Charles's philandering causes them to divorce and ... See full summary »
Two young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is ... See full summary »
Railroad owner Jim Knox uses everything to get the land he needs for his new railroad cheaply. Everybody hopes, that Steve Logan ends his regime, but he allies with Jim Knox. Nobody knows, ... See full summary »
Lowell Blackford (Kay Kyser) is blessed with a gift of music,but also cursed with a hereditary "evil eye" which hypnotizes people,and he is virtually a recluse. He goes in search of a ... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
A musical comedy duo in their 6th year on Broadway receive an offer to perform in Hollywood making films. The change of lifestyle is inviting to the Sweethearts as the move will take them ... See full summary »
W.S. Van Dyke,
Robert Z. Leonard
A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to... See full summary »
In 1925, John becomes President of the prosperous Warren Bank when Maggie retires. Six years later, John, Helen and the two children are happy in their home, but the two mother-in-laws are ... See full summary »
Lally is a rich girl whose father writes books and plays Polo. After 23 years of marriage, he decides to divorce his wife, and marry Mrs. Chevers. This sours Lally on all men, while on ... See full summary »
A young Hebrew named Micah, unsatisfied with his father's rural life, demands his inheritance so he can try his luck in the city. Once in the city he falls under the spell of a beautiful pagan priestess who induces him to squander his money and betray his faith. Only after many trials and tribulations does Micah recover his senses and return home to his forgiving father. Written by
Lana Turner in her autobiography: [on "The Prodigal"] The Prodigal Son they named Micah, and to play him, chose Edmund Purdom, a young man with a remarkably high opinion of himself. His pomposity was hard enough to bear; worse yet was the garlic breath he brought back from lunch. My lines were so stupid I hated to go to work in the morning. Even the costumes were atrocious. They were ornate concoctions dripping with heavy beads, and the material was so stiff that I felt I was wearing armor. "Well," I thought, "I may be trapped in this picture, but I'm going to make myself as sensuous, sexy, and gorgeous as possible." See more »
I would rather be a servant in my father's house than king in Damascus.
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The Prodigal fills in all those bits in the parable of the Prodigal Son that Jesus omitted, and very entertainingly too. It seems junior (Edmund Purdom) got the hots for the high priestess of Astati (Lana Turner) while incurring the wrath of the high priest of Baal and tyrant of Damascus (Louis Calhern) and frittered away his fortune before coming to his senses and leading the people in rebellion against their pagan oppressors. As you might guess from that synopsis, there are more than a few similarities to The Egyptian, not least Edmund Purdom selling his birthright for a second time for bit of nookie with a pagan temptress (he'd do anything for a bit of skirt, that Purdom: did he learn nothing from his experience with Bella Darvi?), although this is a lot less thoughtful and a lot more fun. A rare 50s epic shot in Hollywood rather than Cinecitta, it falls somewhere between De Mille the apprentice child priestess in her miniature chariot drawn by a goat could be straight out of the opening of the silent King of Kings and MGM at its most opulent. There's not much for the mind or the spirit here, but there's plenty to entertain, from Joseph Wiseman hamming away like nobody's business, even doing an imitation of a teapot in one bizarre shot, to the most imaginative Breen Office-approved sadism this side of Sodom and Gomorrah not only do we get willing sacrificial victims swan diving into fiery pits and a fight with a stuffed vulture but when people get the knife, they get it literally in the neck, which is a pretty neat trick. Calhern offers some splendid villainy, Francis L. Sullivan's moneylender plays both ends against the middle with sly wit, Hurd Hatfield lookalike James Mitchell fulfils the mute but acrobatic sidekick duties and director Richard Thorpe ensures it all looks great in CinemaScope.
It ain't art but it is great fun.
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