| Tadeusz Lomnicki | ... | Stach Mazur | |
| Urszula Modrzynska | ... | Dorota | |
| Tadeusz Janczar | ... | Jasio Krone | |
| Janusz Paluszkiewicz | ... | Sekula | |
| Ryszard Kotys | ... | Jacek (as Ryszard Kotas) | |
| Roman Polanski | ... | Mundek | |
| Ludwik Benoit | ... | Grzesio | |
| Zofia Czerwinska | ... | Lola | |
| Zbigniew Cybulski | ... | Kostek | |
| Tadeusz Fijewski | ... | German Guard | |
| Zygmunt Hobot | ... | Abram | |
| Cezary Julski | ... | Coachman | |
| Bronislaw Kassowski | ... | Speculator | |
| August Kowalczyk | ... | Priest | |
| Jerzy Krasowski | ... | Wladek | |
| Zenon Laurentowski | |||
| Stanislaw Milski | ... | Jasio's Father | |
| Juliusz Roland | ... | Kaczor | |
| Hanna Skarzanka | ... | Stach's Mother | |
| Janusz Sciwiarski | ... | Manager | |
| Kazimierz Wichniarz | ... | Werkschutz | |
| Zygmunt Zintel | ... | Foreman Ziarno | |
| rest of cast listed alphabetically: | |||
| Ryszard Ber | ... | Zyzik Koscielniak (uncredited) | |
| Bronislaw Dardzinski | ... | (uncredited) | |
| Wieslaw Golas | ... | German Patrolman (uncredited) | |
| Zofia Jamry | ... | Shopkeeper (uncredited) | |
| Mieczyslaw Kalenik | ... | SS-Man (uncredited) | |
| Henryk Kucharski | ... | German Soldier (uncredited) | |
| Kazimierz Kutz | ... | GL Man (uncredited) | |
| Jan Machulski | ... | GL Man (uncredited) | |
| Franciszek Pieczka | ... | German Patrolman (uncredited) | |
| Janusz Strachocki | ... | Worker (uncredited) | |
| Mieczyslaw Waskowski | ... | (uncredited) | |
| Danuta Wodynska | ... | Franusiowa (uncredited) | |
| Stefan Wroncki | ... | (uncredited) | |
Directed by | |||
| Andrzej Wajda | |||
Writing credits(in alphabetical order) | ||
| Bohdan Czeszko | novel | |
| Bohdan Czeszko | screenplay | |
Original Music by | |||
| Andrzej Markowski | |||
Cinematography by | |||
| Jerzy Lipman | |||
Film Editing by | |||
| Czeslaw Raniszewski | |||
Production Design by | |||
| Roman Mann | |||
Set Decoration by | |||
| Józef Galewski | |||
| Jerzy Skrzepinski | |||
Costume Design by | |||
| Jerzy Szeski | |||
Makeup Department | |||
| Zdzislaw Papierz | .... | makeup artist | |
| Stefan Szczepanski | .... | assistant makeup artist | |
Production Management | |||
| Ignacy Taub | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kazimierz Kutz | .... | assistant director (as Kazimierz Kuc) | |
| Konrad Nalecki | .... | first assistant director | |
Art Department | |||
| Aleksander Ford | .... | artistic supervisor | |
Sound Department | |||
| Józef Koprowicz | .... | sound | |
| Zygmunt Nowak | .... | sound assistant | |
| Józef Tomporek | .... | sound assistant | |
Camera and Electrical Department | |||
| Jozef Ciecwirek | .... | lighting technician | |
| Czeslaw Grabowski | .... | assistant camera | |
| Stefan Matyjaszkiewicz | .... | camera operator | |
Editorial Department | |||
| Anna Rubinska | .... | assistant editor | |
Music Department | |||
| Andrzej Markowski | .... | conductor (uncredited) | |
Other crew | |||
| Romuald Hajnberg | .... | production assistant | |
| Roman Kowalski | .... | production assistant | |
| Maria Pietrzak | .... | script supervisor | |
| Zygmunt Rybarski | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Poland section |
This was director Andrzej Wajda's first full-length film--and because of that, this stands as an amazing achievement. On the Criterion disk is an interview with Wajda and he credits much of the film's success to the cameraman and I agree wholeheartedly that this is one of the best looking black and white films I have ever seen.
The film concerns a young man during the Nazi occupation of Poland. In the beginning, he's a bit of a jerk but eventually gets a job and shows great responsibility. Later, he is welcomed into the partisans and it is an interesting look into this seldom talked about period of history.
The film gets a score of 8. It would have had a higher score had the film been more honest--as it portrays the Communists as being THE resistance and those partisans wanting a return to the democratic system as being greedy bourgeoisie. However, on the Criterion DVD, Wajda talks about how this was one of the required changes the Soviet-dominated Polish government mandated before they'd allow his film to be shown. So, considering the sensibilities of the time, it's not surprising that a little misrepresentation occurs. Still, it's a near-great film and a wonderful addition to KANAL. Wajda's 3rd film, ASHES AND DIAMONDS, unfortunately is a big disappointment to me and is considered the third in this trilogy about life in Poland during WWII.
There is one MINOR mistake in the film. At one point, the hero is hit in the head and is bleeding. Later in the same scene, there is no head wound!